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Ian C. Bloom of Illumined Illusions has the most amazing analysis on The Sound of Music I’ve ever read. His commentary on Singin’ in the Rain is the only one I’ve seen to eke such interest out of the the modernist production number in the third act. And I like how he breaks up his commentary on Beverly Hills Cop into bullet points (something I’ve done a few times myself).
Word that Eagle Eye co-writer Travis Adam Wright has been tapped to script a planned adaptation of James A. Owen’s fantasy series The Chronicles of the Imaginarium Geographica has kicked off a flurry of coverage on Owen’s series, which casts the Inklings—J. R. R. Tokien, C. S. Lewis and Charles Williams, as well as Owen Barfield and Hugo Dyson—as heroes of epic fantasy adventures weaving together Arthurian legend, Greek mythology and the writings of other British writers, not to mention the writers themselves—among other things.
More insightful analysis on patterns at Pixar from Peter T. Chattaway…
For no particular reason, here is an older review you may not have read, for a film you may not have seen: My Architect (2002).
I’m not a big box-office watcher, but I pay enough attention to be frustrated by audiences rewarding films that I think are undeserving and ignoring films that I think merit attention. Not always, of course. It’s gratifying to watch movies like Green Zone and The Wolfman flop. But then along come films like Alice in Wonderland and Clash of the Titans, both of which critics generally saw in a dim light, and audiences flock enthusiastically to them.
For the benefit of RSS readers who may not see the homepage Spotlight notice, I’ll be on the first hour of Catholic Answers Live this Friday, 4/9, from 3pm–4pm PDT (i.e., San Diego time, where Catholic Answers is), or 6pm–7pm EDT (i.e., New Jersey time, where I am).
It’s hard to imagine any filmmaker making the final, and probably the most perverse, of Stephenie Meyer’s Twilight books into a good movie—let alone two movies, which is the plan. But Summit Entertainment is giving it their best shot: After discussions with a list of respected directors including Sofia Coppola, Steven Daldry and Gus Van Sant, Bill Condon (Gods and Monsters, Kinsey) has reportedly emerged as the front-runner, according to Deadline.com.
What, already? It was only the beginning of Lent that the last two mailbags went up — and now, here in time for Easter Week, are the next two, Mailbag #18 and Mailbag #19. (Unfortunately the RSS feed still isn’t picking up the Mail columns, so for RSS readers, this blog post is your heads up. Hopefully it’ll be fixed soon.)
A couple of days ago over at the Arts & Faith message board, for reasons I won’t recount, someone started a thread called “Review Haiku,” dedicated to three-line, 17-syllable movie reviews. Merriment ensued.
Opening on Good Friday and setting a new Easter weekend box-office record, the new Clash of the Titans features a divine father in the heavens (Liam Neeson, the voice of Narnia’s Aslan, as Zeus) who tells his divine/human son, “I wanted [mankind’s] worship, but I didn’t want it to cost me a son.”
In theaters right now are two charming and visually engaging animated films at opposite ends of the budget spectrum, different in many respects but with some interesting overlap as well. One is How to Train Your Dragon, DreamWorks’ big-budget CGI adaptation of a popular children’s book. The other is The Secret of Kells, an Oscar-nominated Irish animated indie made on a comparative shoestring budget, now in limited release.
Do I forgive the 9/11 terrorists? It’s a question I can’t remember asking myself before this week after screening the upcoming Lifetime TV movie Amish Grace. Inspired by the nonfiction book of the same name, the film is based on the real-life Amish school shooting in Lancaster County, Pennsylvania in the fall of 2006.
If the name Bedrock Studios doesn’t sound familiar, you might think it’s because you haven’t watched “The Flintstones” lately … especially since the new production company was co-founded by Cary Granat — not the Hollyrock star, the former CEO of Walden Media — and Ed Stones, er, Jones of Industrial Light & Magic.
I won’t make a habit of this, I promise.
I don’t often discover a new angle on a biblical text from a Bible movie, but Joseph of Nazareth suggests an attractive approach I had never before considered to a deceptively knotty passage in St. Matthew’s Gospel, namely, the passage in Matthew 1 in which Mary has been found to be with child by the Holy Spirit, and Joseph resolves to “divorce her quietly.”
Peter Chattaway has just posted some thoughts he’s previously shared elsewhere regarding the shape of Pixar’s body of work to date, and I’ve long thought it’s a brilliant theory.
Yesterday I wrote about the possible effects of the box-office success of Alice in Wonderland on fairy-tale revisionism in family films to come. The flip side is the box-office disappointment of Disney’s The Princess and the Frog, which hit DVD shelves yesterday.
This week Knights of Columbus website Fathers for Good has a short interview with me in their Newsworthy Dads feature.
It’s a straw in the wind: As the recently restored 1939 classic The Wizard of Oz comes out on Blu-ray today, Warner Bros is giving renewed attention to a pair of new Oz projects in early development, now likelier than ever to come to fruition. The reason: Tim Burton’s Alice in Wonderland.
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