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Update #1: Romeward Bound!

It’s 5am Monday morning in Italy. I’m sitting on a rooftop veranda outside my hotel room in Assisi overlooking the sleeping countryside. The moon is high. Later today we’ll be in Rome.

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Romeward Bound!

In a few hours, my daughter Sarah (age 15) and I will be on a plane headed to Rome. Our archdiocese is leading a pilgrimage, and we’re on it.

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“Reel Faith” Update

Yesterday I taped the fourth episode of Reel Faith with David DiCerto. We discussed Knight and Day, Grown Ups, and Jonah Hex, as well as the documentary Living in Emergency: Stories of Doctors Without Borders. It airs tomorrow, Friday, June 24 at 8:30pm. As usual, you can watch it online at the show’s website, either when it airs or anytime over the next week.

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UPDATE: Hollywood admits its originality problem!

UPDATE: Hat tip to Ross Douthat for highlighting an intriguing recent NYMag.com piece on Hollywood’s originality problem.

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The Secret of Kells: A Conversation with Jeffrey Overstreet

UPDATE: Over at Image Journal, Jeffrey Overstreet and I are talking about The Secret of Kells. Part 1 and Part 2 are now both available. (Note: Some spoilers!)

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Now on Facebook!

Yes! Having joined the 21st century six months ago by adding RSS, Decent Films has now taken its first step into the world of social media by creating a Facebook page. For readers who use Facebook, especially Facebook users who don’t use RSS, it’s another way to keep track of when I update Decent Films.

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Edgy Fraggles?

Fraggle fans: Did you ever find yourselves singing along to the “Fraggle Rock” theme song and thinking, “You know, this is a great show, but it could be edgier”?

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Spotlight: The Magdalene Sisters Controversy Revisited

In my recent series of Spotlight posts, I’ve highlighted reviews and essays from earlier years of my work that I feel stand out in one way or another. This week I highlight a piece that I’ve come to regard as at least a partial failure: my essay on The Magdalene Sisters.

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Can’t win department: Cross-examination on The Magdalene Sisters

I don’t use Google alerts or otherwise troll for people talking about me online, so it was only happenstance that I happened upon a self-labeled “rant” about my Magdalene Sisters essay from a Bill Van Dyk, whose website is called Chromehorse.net.

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“Welcome Yet Nonessential”

Those three words from Peter Debruge’s Variety review of next weekend’s Toy Story 3, called out by Peter Chattaway in blogging the review, perfectly encapsulate what I’ve thought had to be the case about this film since I first heard of it. More broadly, as Peter suggests, it seems a harbinger of things to come from this “third phase” in Pixar history that this film is ushering in.

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Spotlight: Jackie Chan: An Appreciation

This week Jackie Chan, now 56, eases out of starring roles and buddy pictures into a new role, that of the venerable mentor. I haven’t seen his first stab at such a role, the 2008 fantasy The Forbidden Kingdom, but with The Karate Kid it’s possible this role might serve the aging action star better than Hollywood’s previous attempts to shoehorn Jackie into established templates and formulas.

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Off With My Head!

Out of a few topics I was considering blogging about today, none captured my attention quite like this impassioned email from a young reader who strongly disagrees with my review of Alice in Wonderland, and the issues suggested by the email, at least in my mind.

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Moviegoers to Hollywood: YAWN

The long Memorial Day weekend traditionally marks the beginning of the American summer movie season, so for Hollywood studios this past weekend’s the dismal ticket sales are clear cause for concern. Dollarwise, it was the worst Memorial Day weekend at the box office in nine years; in terms of actual bodies in seats, it was the worst in fifteen years.

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Spotlight: The Pianist

In 2002, when The Pianist was released, director Roman Polanski’s 1977 conviction and subsequent flight from sentencing were something of a footnote. Since then, there has been a documentary film about the case, renewed enforcement efforts, new revelations and new charges, and an arrest.

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Lines I Wish I Had Written: Sex and the City 2

Okay, that’s not literally true, because in order to write a line about Sex and the City 2 I would have had to screen the film, and it’s hard to imagine anything being worth that, especially in the same week as Prince of Persia: The Sands of Time and Agora. I’m not sure my soul wouldn’t implode.

Don’t Have a Cow, Man! POST

Don’t Have a Cow, Man!

A reader raises interesting questions relating to chastity, modesty and raising children in a note about the movie Babies, now in theaters.

Spotlight: <i>The Dish</i> POST

Spotlight: The Dish

Writing about film, I sometimes say, can be a little education in just about everything. But watching movies can be a miseducation in just about everything. Even fact-based films are often, even usually, unreliable guides to their subject matter.

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What Are “Real Movies”?

Borrowing a page from the UK’s Campaign for Real Ale, Roger Ebert blogs from Cannes on the need for a Campaign For Real Movies.

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What Cannot Be Seen

Beauty, loss, longing, mystery: Fans of Tolkien might reach for such language in describing the power of Middle-earth. They are not words that many Americans naturally associate with animation. American animation typically means humor, slapstick, sentiment, and perhaps a positive message about family or believing in yourself.

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Spotlight: Spirit: Stallion of the Cimarron

This week, coinciding with the theatrical release of Shrek Forever After, a pair of DreamWorks Animation productions get budget one-disc DVD rereleases (under $10). Despite the explicit marketing tie-in (“From the studio that brought you Shrek”), both films are traditional hand-drawn cel animation with nothing to connect them to Shrek in look or in spirit.