As The Incredibles in its day towered over the Hollywood animation landscape of the last decade, so in some measure does Incredibles 2 in this decade — but what a different and diminished landscape it is today.
Apparently velociraptor is the cowbell of dino design and the filmmakers are Christopher Walken.
For a few formative years of our lives, Mr. Rogers showed us the way. Why don’t we walk that way? Because of all the voices dominating the discussion ever since.
Six years ago I described The Avengers as “awesomeness squared”; Infinity War strives with all its might for awesomeness cubed and even tesseracted. It wants to leave you texting your friends “MIND. BLOWN.” It might succeed — but there’s a catch.
I am only a permanent deacon and a film critic, not a priest and certainly not an exorcist, but if Cristina’s voice hasn’t been digitally tweaked, for my money the devil needs a new sound design team.
Jeannette is a dialogue, and a mutual cross-examination, not only among the main characters of the drama, and above all between man and God, but also between the poet Péguy and the filmmaker Dumont, and even between Péguy the Socialist unbeliever of 1897 and Péguy the believing Catholic of 1910.
Wim Wenders, whose eclectic career has embraced arthouse dramas, documentaries, music videos and concert films, approaches the subject of his latest nonfiction film from an unusual perspective: the significance of an unprecedented papal name.
While A Quiet Place is a terrific film just the way it is, I can’t help wishing there were more families like this in other kinds of movies.
The sell for Steven Spielberg’s Ready Player One is a little like the sell for Jurassic Park, except instead of dinosaur shock and awe, it’s pop-culture nostalgia shock and awe.
Watching Disney’s Rogue One and Solo, the two stand-alone “Star Wars Story” movies that come without episode numbers and opening crawls, is a little like watching the legendary Dutch boy trying to plug the leaks in the dike with his fingers … as new leaks burst all around him.
Copyright © 2000– Steven D. Greydanus. All rights reserved.