The real Bundy could be charming, but an honest film about Bundy and Kloepfer’s relationship could just as easily be called Super Weird, Emotionally Abusive and Threatening.
Patrick Creadon (I.O.U.S.A.) offers a compellingly attractive if one-sided portrait of a figure of exceptional gifts, astonishingly diverse accomplishments and extraordinary influence.
At this stage in Marvel Cinematic Universe history you almost need a Tolkieneque set of appendices and diagrams to make complete sense of everything.
The Disney nostalgia train rumbles on with Tim Burton back at the throttle — not quite throttling the iconic tale of the flying baby elephant, but only barely rising to the challenge, sort of like Casey Junior struggling to clear that daunting hill.
Somewhere roughly between Risen and Last Days in the Desert in its narrative and interpretive sensibilities, Mary Magdalene presents an interpretation of Jesus’ ministry, passion and resurrection that seems in some ways — with important caveats — fairly traditional, viewed from a feminist perspective with some biblical justification.
It’s a little bit about the Seven Deadly Sins and a lot about how a 14-year-old boy would react if he were suddenly bequeathed with superpowers beyond imagining and also an Adonis-like adult physique in a bright red super-suit.
“My story isn’t a neat and tidy one,” Abby tells us at the start, but this telling is still pretty neat and tidy. Perhaps the real story was messier.
Copyright © 2000– Steven D. Greydanus. All rights reserved.