Articles
Narnian spirit: C. S. Lewis’ religious themes in the books, the films — and any films to come
With a new Blu-ray edition of The Voyage of the Dawn Treader available March 3, here’s a look back at the series so far … and a look ahead.
The truth behind one of Netflix’s most popular shows
Want to know the truth behind the “Devil’s Bible”? Or the Dead Sea Scrolls? How about one of the Old Testament’s two famous arks? Curious about UFOs, Bigfoot or the Bermuda Triangle?
Guardian Devils? Daredevil and Catholic guilt, superhero style
“Bless me, Father, for I have sinned,” says Matt Murdock, the blind lawyer turned masked hero in the first line of the new trailer for Netflix’s upcoming Marvel Comics superhero series “Daredevil.”
My Top 10 Favorite Movie Love Stories That Don’t Show Up on Romantic Movie Lists
No Jane Austen or Shakespeare. No Hepburn or Cary Grant, Meg Ryan or Tom Hanks. No Say Anything or Jerry Maguire, no City Lights or Sunrise: A Song of Two Humans. Nothing against any of the above, but you don’t need me to tout them. Instead, here are ten films you might not find on other lists of movie romances.
The easygoing Catholicism of Return to Me
Return to Me has an easygoing Catholic vibe akin, but not identical, to Golden Age Hollywood piety; in fact, the movie blends nostalgia and irreverence for the Catholic Hollywood of Bing Crosby’s era.
Fantasia: The Sistine Chapel of Disney animation
Among a few Disney films deserving of the title “masterpiece,” Fantasia remains a unique achievement.
2014: The Year in Reviews
The quest for justice and harmony echoed through the best films of 2014, playing out in various arenas: social, domestic and spiritual.
Raking through the ashes of unbelief: Woody Allen’s lost spark
Woody Allen keeps telling us God is dead, but he also keeps compulsively burying him.
The Church on screen in 2014: Not a bad year for Catholics
By mid-year I would have predicted that Mendoza would surely prove to be the best big-screen priest of 2014 — but Brendan Gleeson’s Rev. Lavelle in John Michael McDonagh’s Calvary proved me wrong.
Christmas Day is over … time to watch Christmas movies!
What can Catholics do to keep things Christmasy until mid-January? Among other things, I suggest keeping the tree and the lights lit until at least January 6, if not the following Sunday — and saving the Christmas movies till after Christmas day.
The trouble with Christmas movies
“What are your favorite Christmas movies?” As a Catholic film critic, I get this question several times every December, often on the air or via social media. The question, alas, touches on a sore subject for me.
How The Hobbit: The Battle of the Five Armies betrays Tolkien’s Catholic themes — and his religious fans
Changes like these are sadly typical of the Hobbit prequel trilogy, which is far cruder and less sensitive to the charm and beauty of its source material than the Lord of the Rings films were. As bad as Christopher Tolkien’s fears in 2012 about The Hobbit films might have been, the reality is worse.
Exodus: Gods and Kings: Theological reflections
It’s a movie with many problems, like most of Scott’s recent epics (Prometheus, Robin Hood, Kingdom of Heaven), but Scott has a better story to work with here and adds something of value to the world of Bible cinema.
Interview: Exodus: Gods and Kings filmmakers Ridley Scott, Christian Bale and Joel Edgerton
Ridley Scott’s Exodus: Gods and Kings (in theaters Dec. 12) is the year’s second major Old Testament epic from a director who is not a believer — but don’t get Scott started on Noah’s rock-monster Watchers.
Moses at the movies
The Exodus is probably the Bible’s most cinema-ready story, the perfect Bible-movie subject. Unlike the stories of Noah, Abraham, David, Jesus, Peter, or Paul, it offers a sustained narrative structure, with a clear central conflict between a strong hero and a strong villain, building to a series of grand climaxes.
How Disney’s Maleficent subverts the Christian symbolism of Sleeping Beauty
I’m very much open to fairy-tale revisionism in general, and to feminist critiques of classic fairy tales in particular. As a father of three daughters, I chafe at the passiveness of so many traditional fairy-tale princesses waiting for their prince to come and rescue them. Give me princesses like Leia from Star Wars, Merida from Brave or Tiana from The Princess and the Frog any day. But there’s a difference between creative revisionism and simple inversion.
Dystopia, The Hunger Games and the critique of the culture of death
The word utopia was coined by St. Thomas More in his book of that name — an important and enigmatic work of fiction and political philosophy generally understood as some sort of satire.
Seeking accessible saint movies … for less arty viewers
A reader writes: “I am looking for easy-to-approach religious movies, especially ones on saints. Intellectually challenging, subtitled, confusingly artistic movies seem to dominate. While I really love those types of movies, I am trying to find films for my Bible study group … We tried the first half of Diary of a Country Priest, and I worried one might try to smother herself with my sofa pillow to end her misery. Do you have any thoughts?”
Taking themselves lightly: “The Flying Nun” and The Reluctant Saint
If “The Flying Nun” is a bit too, well, flighty for some tastes, consider another 1960s production about a consecrated religious — a real-life one in this case, and a canonized saint — given to slipping the surly bonds of earth.
Religious filmmakers explore — and cross-examine — faith
Strikingly, where the religious films of nonbelievers often feature idealized religious characters more or less certain in their faith, films by believers often put their religious characters’ faith to a more existential test.
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