One much-noted point about the BBC list is how few Academy Award Best Picture winners made the list. Naturally, I’m interested in a different comparison: How does the BBC list compare to the 1995 Vatican film list?
Building on the momentum of its predecessor, McQuarry whips up a similar blend of brilliantly constructed set pieces, spectacular stunts, humor, exotic locations and — well, that’s about it, really. What more do you need?
A haunting scene in Timbuktu depicts two teams of young athletes running back and forth on a field engaged in offensive and defensive patterns familiar the world over: kicking, dribbling, passing, blocking. All that is missing is a ball and goal markers.
The idea of saving the world from alien invaders with classic video-game skills is not without a certain dumb appeal.
I recently rewatched Fruitvale Station (2013), first-time director Ryan Coogler’s shattering Sundance winner, with my oldest son, who has since gotten his driver’s license. Some day he will face that inevitable first traffic stop, and I want him to be aware just how different that encounter will be for him, with his bleached complexion and shining towheaded crown, than for many young men in the minority neighborhoods all around us.
Three years ago, when Marvel first announced that Ant-Man would be getting his own movie, I tweeted, “I don’t care how much money Avengers makes. The world does not need an Ant-Man movie.” Ant-Man, I felt, was too minor a hero, too obscure and inconsequential — in a word, too small — to warrant the big-screen Marvel movie treatment.
Alex Garland’s Ex Machina is the latest in a string of recent science-fiction films exploring questions around artificial intelligence, transhumanism and the role of technology in our lives.
As a Catholic film critic, one of the top questions I get from parents during the summer months — right after “What’s good in theaters in this summer?” — is “Do you know anyone who does what you do, but for television?”
Like the Penguins of Madagascar and Mater the tow truck, the Tic-Tac-shaped, banana-colored Minions join the ranks of popular comic sidekicks who have taken over their animated franchises. This is usually a sign of the end, although Cars 3 is on the way, and nobody has said Madagascar 4 isn’t happening.
Only Pixar regularly impresses on viewers that just because you’re the hero of your story doesn’t mean you’re right about everything: that you may make serious mistakes, there may be consequences, and you must take responsibility.
Copyright © 2000– Steven D. Greydanus. All rights reserved.