Particularly striking to me, and even moving, is a theme connecting Cloudy With a Chance of Meatballs and Spider-Man: Into the Spider-Verse (though not The Lego Movie): how themes of father–son conflict ubiquitous in other cartoons play out with unexpectedly insightful, consequential fathers.
At this stage in Marvel Cinematic Universe history you almost need a Tolkieneque set of appendices and diagrams to make complete sense of everything.
First Reformed made more than half of the nine individual lists below, and unsurprisingly topped the year’s best films according to the Arts & Faith Ecumenical Jury … What’s more surprising — anyway I’m a little surprised, and delighted — is that another film was even more esteemed in this little community … and it wasn’t any of the films I would have expected.
The two sequels greatly expand the world and the mythology of the original Dragon. Yet our hero’s personal self-development was pretty much complete at the start of Dragon 2.
2018 was a remarkable movie year — for family films, films with religious themes, and documentaries — but it was also a year of family men who weren’t there for their families.
Chris Miller and Phil Lord, Chris Miller and Phil Lord / Do whatever Chris Miller and Phil Lord do.
Can they swing from a thread? / No they can’t, they’re Hollywood filmmakers.
And so does Dick Van Dyke — but if you want the return of Julie Andrews, the movie to see is Aquaman.
Ralph doesn’t just break the Internet — he breaks the mold for Disney/Pixar sequels.
The lead actor in this film told me he feels much closer to God in the South Dakota Badlands than in New York or Paris. There were more theologically explicit films this year, but none that brought God closer to me.
There’s a lot to appreciate about this film from director Steve McQueen and Viola Davis, except the moral universe the film asks us to inhabit for a couple of hours.
I swear I am not making any of this up. What else can I say?
Copyright © 2000– Steven D. Greydanus. All rights reserved.