Ian C. Bloom of Illumined Illusions has the most amazing analysis of The Sound of Music I’ve ever read. His commentary on Singin’ in the Rain is the only critique I’ve seen to eke such interest out of the the modernist production number in the third act. And I like how he breaks up his thoughts on Beverly Hills Cop into bullet points (something I’ve done a few times myself).
In a word, Illumined Illusions is worth checking out. I must reluctantly note one drawback: The site design is a literal eyesore. I don’t like to say this, because I take critical comments about my own site design more personally than I do critical comments about my reviews. But white-on-black text is a particular peeve of mine, since the reverse contrast burns into the reader’s retinas and makes it hard to focus on normal pages afterward. The varied background gradations don’t help, either.
But deal with it. Bloom’s thoughts are worth it. I don’t necessarily agree with everything he (or any other critic) writes, of course, but then I don’t always agree with everything I wrote five years ago either. That’s not the point.
I like his style, too. Here is a sentence I wish I had written, regarding Fantasia: “Instead of the music ‘Mickey-Mousing’ the action, here the action ‘Micky-Mouses’ the music, sometimes with Mickey, himself, providing the action.” The last paragraph of his long essay on Spartacus is also worth quoting, but I won’t quote it here. Read it for yourself.