The film is more than a dramatization, more than a biopic, more than a documentary: It is a spiritual portrait, almost a mystical portrait, of a Christ-like soul sharing in the sufferings of Christ.
The Full of Grace filmmaker talks about the challenges of bringing Scripture to life and the problems with many faith-based films.
It’s not the unmade epic about the life of Paul of Tarsus many would like to see, but what it is is worthwhile in its own right.
Jolie’s Lara was perhaps having too much fun for much sense of urgency, but Vikander’s Lara isn’t really having fun at all, which makes it hard for the audience to have much fun either.
“If it’s bad art,” Madeleine L’Engle once wrote, “it’s bad religion, no matter how pious the subject.”
It’s hard to pick clear favorites from the latest roundup of the last year’s best films according to my circle of Christian friends and peers.
There is a certain fascination in how fascinated Paul Thomas Anderson and Daniel Day-Lewis are in material that is not fascinating.
Not the year’s better film starring Sally Hawkins as a handicapped dreamer with an inarticulate, seemingly almost subhuman lover.
The more firmly rooted in a sense of time and place a film is, the more revelatory it often is of the present.
If you ever wondered what it might have looked like for Samson to slay 1,000 Philistines with the jawbone of an ass, wonder no more.
Copyright © 2000– Steven D. Greydanus. All rights reserved.