Arrival REVIEW

Arrival (2016)

In some ways it warrants comparison with Christopher Nolan’s Interstellar, if only because Arrival achieves much of what I was hoping for from Interstellar.

Fantastic Beasts and Where to Find Them REVIEW

Fantastic Beasts and Where to Find Them (2016)

The fact is, moving from the Harry Potter films to Fantastic Beasts feels a bit like moving from the original Star Wars trilogy to the Star Wars prequels.

<em>Doctor Strange</em> and <em>Hacksaw Ridge</em>: Breaking rules and the greater good ARTICLE

Doctor Strange and Hacksaw Ridge: Breaking rules and the greater good

In each of their latest films, the battle against a threatening power raises questions about which principles the protagonist should or shouldn’t compromise in order to protect his world — questions that aren’t necessarily clearly answered by the end of the film.

<em>Hacksaw Ridge</em>: Mel Gibson and Robert Schenkkan at the Sheen Center ARTICLE

Hacksaw Ridge: Mel Gibson and Robert Schenkkan at the Sheen Center

The director and screenwriter spoke at a screening of the film at the New York Archdiocese’s cultural center, and I chatted with Gibson about the film.

Hacksaw Ridge REVIEW

Hacksaw Ridge (2016)

Gibson crafts a resolutely traditional exercise in Hollywood mythmaking: a tale of a man who stoically endures accusations of cowardice before being vindicated as the bravest of all, a man of integrity who stands by his unpopular principles regardless of the consequences; a pious man whose sincere faith eventually wins the respect and admiration of his less devout comrades.

Doctor Strange REVIEW

Doctor Strange (2016)

The paradox of contemporary Hollywood blockbusters is that in our time virtually anything conceivable, no matter how wild and out there, can be put on the screen, but it almost never is.

The Birth of a Nation REVIEW

The Birth of a Nation (2016)

The prominent, polyvalent exploration of the uses of religion and especially Scripture, both to condone slavery and to condemn it, to sedate slaves and to inflame them, is one of the most striking and welcome things about the film.

The Greater Freedom: Karol Wojtyla and <em>Our God&rsquo;s Brother</em> ARTICLE

The Greater Freedom: Karol Wojtyla and Our God’s Brother

As a seminarian in the 1940s, the future Pope St. John Paul II wrote a play about a Polish artist turned religious who helped inspire his vocation. In 1997, a film adaptation featuring Christoph Waltz was directed by Krzysztof Zanussi (Life for Life).

&ldquo;You do it for Christ, and forget the rest&rdquo; ARTICLE

“You do it for Christ, and forget the rest”

Krzysztof Zanussi on Our God’s Brother, Adam Chmielowski, Pope John Paul II, and how he discovered Christoph Waltz.

It&#8217;s a Wonderful Life REVIEW

It’s a Wonderful Life (1946)

The truth is that It’s a Wonderful Life is both darker and more subversive than its popular reputation as cheery holiday “Capra-corn” would suggest, and more robustly hopeful than cynics and hipster deconstructionists would have it.