Silence REVIEW

Silence (2016)

When 17th-century Japanese authorities in the time of the Tokugawa shogunate found it necessary to send the colonial powers of Europe packing and their European Jesus with them, they didn’t just shatter the missionaries’ bodies. They shattered their narrative.

Rogue One: A Star Wars Story REVIEW

Rogue One: A Star Wars Story (2016)

All this raises a question: When is a Star Wars movie not a Star Wars movie?

Spirited Away REVIEW

Spirited Away (2001)

No film in Miyazaki’s oeuvre haunts me like Spirited Away. One reason is the evocation of a seemingly impenetrable, incalculable world with rhythms and rituals that seem all the more opaque and unnerving because they are routine and transparent to those that are of that world.

We need to talk about cartoon parents ARTICLE

We need to talk about cartoon parents

I don’t expect animated heroes to have uniformly ideal, harmonious family lives. It’s not realistic — and it doesn’t make for good drama, which needs conflict. The ubiquity of the pattern, though, is striking.

Moana REVIEW

Moana (2016)

It would be going too far to say that Moana combines everything I enjoy about contemporary Disney with everything I dislike, but it’s got quite a bit of both.

Arrival REVIEW

Arrival (2016)

In some ways it warrants comparison with Christopher Nolan’s Interstellar, if only because Arrival achieves much of what I was hoping for from Interstellar.

Fantastic Beasts and Where to Find Them REVIEW

Fantastic Beasts and Where to Find Them (2016)

The fact is, moving from the Harry Potter films to Fantastic Beasts feels a bit like moving from the original Star Wars trilogy to the Star Wars prequels.

<em>Doctor Strange</em> and <em>Hacksaw Ridge</em>: Breaking rules and the greater good ARTICLE

Doctor Strange and Hacksaw Ridge: Breaking rules and the greater good

In each of their latest films, the battle against a threatening power raises questions about which principles the protagonist should or shouldn’t compromise in order to protect his world — questions that aren’t necessarily clearly answered by the end of the film.

<em>Hacksaw Ridge</em>: Mel Gibson and Robert Schenkkan at the Sheen Center ARTICLE

Hacksaw Ridge: Mel Gibson and Robert Schenkkan at the Sheen Center

The director and screenwriter spoke at a screening of the film at the New York Archdiocese’s cultural center, and I chatted with Gibson about the film.

Hacksaw Ridge REVIEW

Hacksaw Ridge (2016)

Gibson crafts a resolutely traditional exercise in Hollywood mythmaking: a tale of a man who stoically endures accusations of cowardice before being vindicated as the bravest of all, a man of integrity who stands by his unpopular principles regardless of the consequences; a pious man whose sincere faith eventually wins the respect and admiration of his less devout comrades.