Paddington 2 REVIEW

Paddington 2 (2018)

I don’t want to review Paddington 2: I want to live in it, and invite you to live in it with me.

2017: The year in reviews ARTICLE

2017: The year in reviews

American moviegoers aren’t necessarily the most demanding viewers in the world, but it seems we have our limits, if dire movie-ticket sales for 2017 are any indication.

Star Wars: Episode VIII: The Last Jedi REVIEW

Star Wars: Episode VIII: The Last Jedi (2017)

Star Wars: Episode VIII — The Last Jedi is a strange beast: a swashbuckling action movie that is deeply skeptical of derring-do; a middle movie that works better as riff and commentary on the original source material than as a sequel to its immediate predecessor.


Coco (2017)

I’m tempted to say I’d like to see the version of Coco Pixar would have made 10 years ago. Not really, I guess, since then we wouldn’t have Ratatouille. Still, I can’t help wondering what the team that made Ratatouille might have done with Coco.


The Star (2017)

It’s a little like The Nativity Story meets The Secret Life of Pets, which probably sounds like a winning formula to some people.

Justice League REVIEW

Justice League (2017)

The ghost of Superman hovers over much of Justice League. You might say Superman’s ghost has always haunted Warner Bros’ big-screen DC Extended Universe, though the haunting is more pronounced now that Henry Cavill’s Man of Steel is dead.

Interview: Catholic filmmaker Timothy Reckart, director of <em>The Star</em> ARTICLE

Interview: Catholic filmmaker Timothy Reckart, director of The Star

Timothy Reckart is the talented creator of one of the most original and memorable animated shorts in recent years, the 2012 Oscar-nominated stop-motion gem “Head Over Heels.” He is also a devout Catholic working in Hollywood.

Thor: Ragnarok REVIEW

Thor: Ragnarok (2017)

Officially, Thor: Ragnarok is the third Thor movie, but in spirit it’s closer to being the third Guardians of the Galaxy movie. This is both a mark of the massive success of the Guardians films, with their colorful, whimsical design and self-mocking humor, and of the relative failure of the first two Thor films, especially The Dark World, to find a vibe of their own.

Human Flow REVIEW

Human Flow (2017)

If the global refugee crisis seems like too immense a problem to wrap one’s head around, Ai isn’t interested in narrowing his focus. Going for scope over depth, Human Flow isn’t a definitive study of the problem, but it offers an incomparable starting point for further discussions.

Nausica&auml; of the Valley of the Wind REVIEW

Nausicaä of the Valley of the Wind (1984)

(Reviewed by Sarah E. Greydanus) Nausicaä of the Valley of the Wind may be the quintessential Hayao Miyazaki film — not necessarily his best, but the most comprehensive assortment of his characteristic themes and motifs.