The grandest of Hollywood’s classic biblical epics, William Wyler’s Ben-Hur doesn’t transcend its genre, with its emphasis on spectacle and melodrama, but it does these things about as well as they could possibly be done.
At nearly 2½ hours long, the 1925 version is still an hour shorter than the 1959 version, yet the story is essentially the same, and the scale similarly impressive.
In 2003, Charlton Heston reprised his greatest role, if in voice only, in an animated made-for-TV version of Ben-Hur from the director and producers of the animated Greatest Heroes and Legends of the Bible series.
On paper, and sometimes even on screen, there’s some promise and potential in this remake of Ben-Hur.
Neither Gipson nor Banek makes much of a poster child for the danger of civilized behavior devolving into savagery, since neither of them seems quite stable from the outset. Gipson’s a recovering alcoholic with violent tendencies who seems to cause trouble wherever he goes, while Banek’s a soulless shell of a human being too shallow to realize that he’s as unprincipled as everyone else around him, including his wife (Amanda Peet). That unstable human beings can do unpredictable and terrible things isn’t exactly a dramatic revelation; yet even so the film relies so much on contrivance and arbitrary behavior that the events and their consequences seem to have little to do with the human nature of the characters involved.
The story, originally set in 1880 but moved to 1914 for the movie, concerns a sheltered young girl from a well-to-do family who is called "Winifred" by her overprotective parents and grandmother, and might be called "Winnie" by her friends if she had any. Winnie (Alexis Bledel of TV’s "Gilmore Girls") is so timid that when she decides to run away from home, she heads for the family-owned woods adjacent to her house, never actually setting foot off her parents’ property.
Here’s my 30-second take on Tinker Tailor Soldier Spy.
Newly remastered for Blu-ray and DVD, the classic animated adaptation of Richard Adams’ beloved tale is available from Criterion.
Copyright © 2000– Steven D. Greydanus. All rights reserved.