Reviews

Ad Astra REVIEW

Ad Astra (2019)

There seems to be no reason for the title Ad Astra, meaning “to the stars,” to be in Latin, except to highlight writer–director James Gray’s elevated intentions.

The Lion King REVIEW

The Lion King (2019)

Alas, the mission wasn’t to improve The Lion King, only to mount it as realistically as possible. Favreau wasn’t hired as a creative, but as a taxidermist.

Spider-Man: Far From Home REVIEW

Spider-Man: Far From Home (2019)

Tony, Tony, Tony. How can we miss you if you won’t go away?

Toy Story 4 REVIEW

Toy Story 4 (2019)

Toy Story 4 does not continue the story of the first three films, but casts about for new things to do in this world with the sprawling cast of characters in Bonnie’s orbit, most of whom once revolved around the now-absent figure of Andy.

Godzilla: King of the Monsters REVIEW

Godzilla: King of the Monsters (2019)

It’s the classic movie monster’s dilemma: You either die a villain or live long enough to see yourself become the hero.

Aladdin REVIEW

Aladdin (2019)

It’s the story you know already, almost exactly. They say the lines and sing the songs, the same songs, almost exactly. It’s a good story and they’re good songs. There are no spoilers in this review because how could there be?

Tolkien REVIEW

Tolkien (2019)

“One of my strongest opinions,” J.R.R. Tolkien wrote in a 1971 letter, “is that investigation of an author’s biography … is an entirely vain and false approach to his works.”

Hesburgh REVIEW

Hesburgh (2019)

Patrick Creadon (I.O.U.S.A.) offers a compellingly attractive if one-sided portrait of a figure of exceptional gifts, astonishingly diverse accomplishments and extraordinary influence.

Avengers: Endgame REVIEW

Avengers: Endgame (2019)

Running just over three hours long, Avengers: Endgame builds to a denouement with a valedictory air akin to the last act of Peter Jackson’s similarly sprawling The Return of the King, except that it comes at the end of 22 movies instead of three movies.

Mary Magdalene REVIEW

Mary Magdalene (2019)

Somewhere roughly between Risen and Last Days in the Desert in its narrative and interpretive sensibilities, Mary Magdalene presents an interpretation of Jesus’ ministry, passion and resurrection that seems in some ways — with important caveats — fairly traditional, viewed from a feminist perspective with some biblical justification.

Shazam! REVIEW

Shazam! (2019)

It’s a little bit about the Seven Deadly Sins and a lot about how a 14-year-old boy would react if he were suddenly bequeathed with superpowers beyond imagining and also an Adonis-like adult physique in a bright red super-suit.

Unplanned REVIEW

Unplanned (2019)

“My story isn’t a neat and tidy one,” Abby tells us at the start, but this telling is still pretty neat and tidy. Perhaps the real story was messier.

Dumbo REVIEW

Dumbo (2019)

The Disney nostalgia train rumbles on with Tim Burton back at the throttle — not quite throttling the iconic tale of the flying baby elephant, but only barely rising to the challenge, sort of like Casey Junior struggling to clear that daunting hill.

Captain Marvel REVIEW

Captain Marvel (2019)

At this stage in Marvel Cinematic Universe history you almost need a Tolkieneque set of appendices and diagrams to make complete sense of everything.

How to Train Your Dragon: The Hidden World REVIEW

How to Train Your Dragon: The Hidden World (2019)

The two sequels greatly expand the world and the mythology of the original Dragon. Yet our hero’s personal self-development was pretty much complete at the start of Dragon 2.

Aquaman REVIEW

Aquaman (2018)

Like the Star Wars prequels, like James Cameron’s Avatar, it’s a movie with tons of problems, but it also contains images that made me catch my breath — gorgeous and even numinous sights I will remember forever.

Mary Poppins Returns REVIEW

Mary Poppins Returns (2018)

Nostalgia for the original pervades virtually every aspect of the new film, from the production design of Cherry Tree Lane, where Emily Blunt’s Mary Poppins arrives to look after the next generation of Banks children, to the beat-for-beat exactness with which the sequel follows the original.

Spider-Man: Into the Spider-Verse REVIEW

Spider-Man: Into the Spider-Verse (2018)

Here, at last, is the Spidey that family audiences need and the Spidey they deserve — and that’s just two of them!

The Grinch REVIEW

The Grinch (2018)

Replacing Karloff-ian malice and spite / Cumberbatch-ian grousing makes this one Grinch-lite. / It’s a kinder and gentler tale than we’ve seen / Of course he’s not nice, but this Grinch is less mean.

The Nutcracker and the Four Realms REVIEW

The Nutcracker and the Four Realms (2018)

There’s something genuinely depressing about seeing one of the most audacious experiments in animation history used not for actual inspiration, but as a kind of scrap heap for spare parts.