Jeannette is a dialogue, and a mutual cross-examination, not only among the main characters of the drama, and above all between man and God, but also between the poet Péguy and the filmmaker Dumont, and even between Péguy the Socialist unbeliever of 1897 and Péguy the believing Catholic of 1910.
While A Quiet Place is a terrific film just the way it is, I can’t help wishing there were more families like this in other kinds of movies.
The sell for Steven Spielberg’s Ready Player One is a little like the sell for Jurassic Park, except instead of dinosaur shock and awe, it’s pop-culture nostalgia shock and awe.
The film is more than a dramatization, more than a biopic, more than a documentary: It is a spiritual portrait, almost a mystical portrait, of a Christ-like soul sharing in the sufferings of Christ.
It’s not the unmade epic about the life of Paul of Tarsus many would like to see, but what it is is worthwhile in its own right.
Jolie’s Lara was perhaps having too much fun for much sense of urgency, but Vikander’s Lara isn’t really having fun at all, which makes it hard for the audience to have much fun either.
“If it’s bad art,” Madeleine L’Engle once wrote, “it’s bad religion, no matter how pious the subject.”
If you ever wondered what it might have looked like for Samson to slay 1,000 Philistines with the jawbone of an ass, wonder no more.
Is Black Panther the first movie in Disney’s Marvel Cinematic Universe with something in particular on its mind?
I don’t want to review Paddington 2: I want to live in it, and invite you to live in it with me.
Star Wars: Episode VIII — The Last Jedi is a strange beast: a swashbuckling action movie that is deeply skeptical of derring-do; a middle movie that works better as riff and commentary on the original source material than as a sequel to its immediate predecessor.
I’m tempted to say I’d like to see the version of Coco Pixar would have made 10 years ago. Not really, I guess, since then we wouldn’t have Ratatouille. Still, I can’t help wondering what the team that made Ratatouille might have done with Coco.
It’s a little like The Nativity Story meets The Secret Life of Pets, which probably sounds like a winning formula to some people.
The ghost of Superman hovers over much of Justice League. You might say Superman’s ghost has always haunted Warner Bros’ big-screen DC Extended Universe, though the haunting is more pronounced now that Henry Cavill’s Man of Steel is dead.
Officially, Thor: Ragnarok is the third Thor movie, but in spirit it’s closer to being the third Guardians of the Galaxy movie. This is both a mark of the massive success of the Guardians films, with their colorful, whimsical design and self-mocking humor, and of the relative failure of the first two Thor films, especially The Dark World, to find a vibe of their own.
If the global refugee crisis seems like too immense a problem to wrap one’s head around, Ai isn’t interested in narrowing his focus. Going for scope over depth, Human Flow isn’t a definitive study of the problem, but it offers an incomparable starting point for further discussions.
(Reviewed by Sarah E. Greydanus) Nausicaä of the Valley of the Wind may be the quintessential Hayao Miyazaki film — not necessarily his best, but the most comprehensive assortment of his characteristic themes and motifs.
Jenny will do a lot of listening in the drama that follows. First, though, will come a moment when she does not listen — the only time in the film she ignores a bid for her attention, but that one time hangs over the rest of the film.
It has been jokingly suggested that all Americans are Protestants — even Catholics, atheists and Jews. There’s a meaningful insight there, although even as a joke it’s an overstatement, and insular communities like the Hasidim manage to resist American cultural identity far more than most. Menashe is different, though I wouldn’t want to suggest that he is a Protestant Hasid. It would be fair to say he’s a bit of a resister or nonconformist, if not quite a rebel.
All Saints opens with the most familiar of pious Hollywood setups, the clergyman tasked with saving a threatened church (school, orphanage, etc.). Then something unexpected and kind of wonderful happens.
Copyright © 2000– Steven D. Greydanus. All rights reserved.