I have, as I suppose most anyone would, complex, mixed feelings about leaving an institution that’s been such a big part of my life for so long a time, but I have no regrets regarding my decisions nor doubts about how God is leading me.
Incarnations of The Man vary from one MCU movie to another in terms of how sympathetic or compromised he is. Always, though, The Man has damaging secrets, misrepresents his true intentions, and can’t be trusted, at least not completely.
Almost from the beginning, vampire fiction has been a battleground between the powers of heaven and hell.
That our hatred should burden souls in the process of purification makes sense, but that our grief should burden them seems baffling and cruel — and it’s not a passing idea tossed off in one line.
Midnight Mass isn’t the first vampire story to blend vampirism as a metaphor for addiction with literal substance abuse. It is, however, probably the only paranormal horror story to focus so intently on the role of religion in recovery.
After the library of books that is the Bible, no literary corpus means more to me than Arthuriana, and no Arthurian work means more to me than Sir Gawain and the Green Knight.
Part of the success story behind writer-director Dallas Jenkins’ popular life-of-Jesus TV series is the remarkable crowdfunding approach spearheaded by viral marketing strategist Derral Eves.
Of Animals and Men tells a story of light shining in the darkness — but the preciousness of the light depends in a way on the prevalence of the darkness, and, in that connection, it must not be forgotten that the Nazis were not the sole agents of darkness.
Our seasonal movie-watching during Advent, Lent, and the Christmas and Easter seasons varies from year to year, but Triduum is always the same.
“That damn movie follows me around like an albatross,” Christopher Plummer once fumed about the one film for which — despite a prolific, varied, successful career in film, television, and theater — he would always be best known.
21 years. That’s how long I’ve been at this. A film list 21 years in the making. 21 top films. 21 runners-up. 21 honorable mentions.
The cowriter and director of a new film about Our Lady of Fátima talks about why he was drawn to the story and how he tried to realize the miraculous, from a very human Virgin Mary to surreal visions of war and hell.
The FX documentary asks hard questions of both sides of the abortion debate — but only one side gets thoughtful answers
Of the seven sacraments at the heart of the Church’s life, from the very beginning perhaps the most intriguing to filmmakers has been, ironically, the least visually impressive — a hidden rite involving only the minister and the recipient.
“Where the Bible comes to life” is the slogan of Sight & Sound Theatres, headquartered in Lancaster County, Pennsylvania, in the heart of Amish country.
In the last few weeks, articles about movies to stream while sheltering in place during your coronavirus quarantine have proliferated across the internet almost as fast as the virus has spread around the world. What makes this article different?
An exquisite art-house film about a beatified martyr. The triumphant arrival of a belated documentary of a celebrated gospel concert. A fact-based drama about an alliance of devout and unbelieving survivors of clerical sex abuse calling for justice. These are just a few of an unusually large crop of notable films that tackled religious and spiritual themes in 2019.
Harriet’s appeal is multifaceted, appealing to three demographics underserved by mainstream Hollywood fare: women, people of color and people of faith. Producer Debra Martin Chase knows something about these three demographics.
Silence, reflection, the search for meaning, the interior life: These are among the hallmarks of Paul Harrill’s work.
“Honor, greetings and blessings to you, conquerors of the moon, pale lamp of our nights and our dreams!” Paul VI exclaimed in his July 21 message to the astronauts on the day after the lunar landing. “Bring to it, with your living presence, the voice of the spirit, the hymn to God, our Creator and our Father.”
Copyright © 2000– Steven D. Greydanus. All rights reserved.