Chris Miller and Phil Lord, Chris Miller and Phil Lord / Do whatever Chris Miller and Phil Lord do.
Can they swing from a thread? / No they can’t, they’re Hollywood filmmakers.
And so does Dick Van Dyke — but if you want the return of Julie Andrews, the movie to see is Aquaman.
Ralph doesn’t just break the Internet — he breaks the mold for Disney/Pixar sequels.
The lead actor in this film told me he feels much closer to God in the South Dakota Badlands than in New York or Paris. There were more theologically explicit films this year, but none that brought God closer to me.
There’s a lot to appreciate about this film from director Steve McQueen and Viola Davis, except the moral universe the film asks us to inhabit for a couple of hours.
I swear I am not making any of this up. What else can I say?
If a parent having The Talk with their kids to you means the birds and the bees, you ought to watch this movie.
The Hunger Games’ Rue is now Ruby: Amandla Stenberg takes the spotlight in another YA dystopia that runs its race, but doesn’t diverge enough from its peers to leave anyone hungry for whatever comes next.
The superhero movie to end all superhero movies? Or every superhero movie at once?
Clearly I am not a vampire. As you can see here, I’ve changed quite a bit in the last six years … not necessarily in my opinion of this franchise.
I dared to hope this one would be more than merely good. I was afraid it would be less than good.
No infinity. No war. (Almost.) Why can’t more Marvel movies be like this?
A messy, thought-provoking film about motherhood from the makers of Juno and Young Adult? Go figure.
The year’s second-best inspirational documentary about an iconic leader with an ability to connect with people as individuals is still pretty good.
It’s funny to think of people scratching their heads when this “quiet” film is justly nominated for sound editing and sound mixing Oscars.
Dwayne Johnson and giant animals. How much more do you need? Well, since you asked … maybe a little?
It’s hard to pick clear favorites from the latest roundup of the last year’s best films according to my circle of Christian friends and peers.
There is a certain fascination in how fascinated Paul Thomas Anderson and Daniel Day-Lewis are in material that is not fascinating.
Not the year’s better film starring Sally Hawkins as a handicapped dreamer with an inarticulate, seemingly almost subhuman lover.
The more firmly rooted in a sense of time and place a film is, the more revelatory it often is of the present.
Copyright © 2000– Steven D. Greydanus. All rights reserved.