After the library of books that is the Bible, no literary corpus means more to me than Arthuriana, and no Arthurian work means more to me than Sir Gawain and the Green Knight.
Part of the success story behind writer-director Dallas Jenkins’ popular life-of-Jesus TV series is the remarkable crowdfunding approach spearheaded by viral marketing strategist Derral Eves.
Dwayne Johnson and Emily Blunt are highly watchable, but Disney’s latest theme-park movie trails haplessly in the wake of Pirates of the Caribbean without a ghost of its inspiration.
If it took a full-on case of amnesia to put Jason Bourne on the path to redemption, how do you redeem a Black Widow?
Of Animals and Men tells a story of light shining in the darkness — but the preciousness of the light depends in a way on the prevalence of the darkness, and, in that connection, it must not be forgotten that the Nazis were not the sole agents of darkness.
In Pixar’s Luca, a gentle, overtly Miyazaki-esque coming-of-age period piece struggles under the heavy weight of iron-clad Disney/Pixar formula requirements and story beats. The charming elements work well enough to carry the film, but only just.
There are day-to-day crises and traumas that are somehow absorbed into the continuity of our lives, and then there are inexorable turning points that divide our lives into “before” and “after.”
In some ways The Mitchells vs. the Machines harks back to Cloudy With a Chance of Meatballs. Most obviously, it’s another goofy, rollicking techno-apocalypse centered on a bumpy parent-child relationship between an awkward, gifted youngster and a handy but technophobic dad.
Our seasonal movie-watching during Advent, Lent, and the Christmas and Easter seasons varies from year to year, but Triduum is always the same.
The Bible world of Roma Downey and Mark Burnett’s LightWorkers Media productions sometimes seems not unlike a movie about Shakespeare in which you hear lines like “To be or not to be, that is the question” and “All the world’s a stage, and all the men and women merely players,” but everyone seems to have heard them already.
If Disney’s Raya and the Last Dragon seems familiar, that might be because … well, because of echoes of a lot of things, really.
Copyright © 2000– Steven D. Greydanus. All rights reserved.