Luca (2021)
In Pixar’s Luca, a gentle, overtly Miyazaki-esque coming-of-age period piece struggles under the heavy weight of iron-clad Disney/Pixar formula requirements and story beats. The charming elements work well enough to carry the film, but only just.
A Quiet Place Part II (2021)
There are day-to-day crises and traumas that are somehow absorbed into the continuity of our lives, and then there are inexorable turning points that divide our lives into “before” and “after.”
The Mitchells vs. the Machines (2021)
In some ways The Mitchells vs. the Machines harks back to Cloudy With a Chance of Meatballs. Most obviously, it’s another goofy, rollicking techno-apocalypse centered on a bumpy parent-child relationship between an awkward, gifted youngster and a handy but technophobic dad.
A Triduum ritual: The Miracle Maker
Our seasonal movie-watching during Advent, Lent, and the Christmas and Easter seasons varies from year to year, but Triduum is always the same.
Resurrection (2021)
The Bible world of Roma Downey and Mark Burnett’s LightWorkers Media productions sometimes seems not unlike a movie about Shakespeare in which you hear lines like “To be or not to be, that is the question” and “All the world’s a stage, and all the men and women merely players,” but everyone seems to have heard them already.
Raya and the Last Dragon (2021)
If Disney’s Raya and the Last Dragon seems familiar, that might be because … well, because of echoes of a lot of things, really.
Christopher Plummer, the cross, and the swastika
“That damn movie follows me around like an albatross,” Christopher Plummer once fumed about the one film for which — despite a prolific, varied, successful career in film, television, and theater — he would always be best known.
SDG’s top films, 2000 – 2020
21 years. That’s how long I’ve been at this. A film list 21 years in the making. 21 top films. 21 runners-up. 21 honorable mentions.
Wonder Woman 1984 (2020)
Wonder Woman 1984 is bonkers in a way that superhero movies these days don’t have the nerve to be.
Soul (2020)
Pete Docter’s Soul is Pixar’s third straight original feature, following Coco and Onward, that is explicitly about death, finality, and, in some way, what lies beyond.
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