“That damn movie follows me around like an albatross,” Christopher Plummer once fumed about the one film for which — despite a prolific, varied, successful career in film, television, and theater — he would always be best known.
21 years. That’s how long I’ve been at this. A film list 21 years in the making. 21 top films. 21 runners-up. 21 honorable mentions.
Wonder Woman 1984 is bonkers in a way that superhero movies these days don’t have the nerve to be.
Pete Docter’s Soul is Pixar’s third straight original feature, following Coco and Onward, that is explicitly about death, finality, and, in some way, what lies beyond.
At this point it seems pretty clear that the kiss of death, creatively speaking, for Disney’s new line of live-action/CGI remakes is a Broadway musical.
Marco Pontecorvo’s Fátima is the first screen version of the Marian apparitions at Fátima and the “Miracle of the Sun” I’ve seen that feels like the characters are living through the story’s events in the present tense.
Halfway through I found myself rooting for the film to be the best version of itself, a sign that a film is working even when it’s not completely successful.
The cowriter and director of a new film about Our Lady of Fátima talks about why he was drawn to the story and how he tried to realize the miraculous, from a very human Virgin Mary to surreal visions of war and hell.
The FX documentary asks hard questions of both sides of the abortion debate — but only one side gets thoughtful answers
Of the seven sacraments at the heart of the Church’s life, from the very beginning perhaps the most intriguing to filmmakers has been, ironically, the least visually impressive — a hidden rite involving only the minister and the recipient.
Copyright © 2000– Steven D. Greydanus. All rights reserved.