The Irishman [video] POST

The Irishman [video] (2019)

Robert De Niro, Al Pacino and Joe Pesci star in Martin Scorsese’s decade-spanning gangland opus, which turns out to be a very different movie than it seems … but you have to stick with it.

Jojo Rabbit [video] POST

Jojo Rabbit [video] (2019)

Taika Waititi has directed some cracking comedies, but can even he make Hitler funny?

2019: The year in reviews ARTICLE

2019: The year in reviews

An exquisite art-house film about a beatified martyr. The triumphant arrival of a belated documentary of a celebrated gospel concert. A fact-based drama about an alliance of devout and unbelieving survivors of clerical sex abuse calling for justice. These are just a few of an unusually large crop of notable films that tackled religious and spiritual themes in 2019.

Star Wars: Episode IX – The Rise of Skywalker REVIEW

Star Wars: Episode IX – The Rise of Skywalker (2019)

Let’s face it, they could play John Williams’ ominous “Imperial March” over scenes of Uncle Deadly from the Muppets lobbing Green Goblin pumpkin-bombs at Scrat the saber-squirrel (I mean, they literally could, legally, and you could watch it on Disney+ forever and ever), and many of us would still feel emotions stir.

A Hidden Life REVIEW

A Hidden Life (2019)

An ecstatic, anguished three-hour cinematic hymn, Terrence Malick’s A Hidden Life sings the life and death of Blessed Franz Jägerstätter in asymmetrical binary form, in contrasting theologies — theology and anti-theology — of the body.

The Two Popes REVIEW

The Two Popes (2019)

For a Catholic critic — or at least for this Catholic critic — a movie like The Two Popes presents a number of temptations.

A Beautiful Day in the Neighborhood REVIEW

A Beautiful Day in the Neighborhood (2019)

Mr. Rogers’ Neighborhood holds a special place — it would not be too strong to say a sacred place — in the hearts of many. Yet that neighborhood is an infinite distance from where we live now.

Frozen II REVIEW

Frozen II (2019)

Anna and Elsa’s relationship is a major improvement on the first film, but in almost every other way this sequel is lost in the woods.

Faith and Ferocity: Interview With <em>Harriet</em> Producer Debra Martin Chase ARTICLE

Faith and Ferocity: Interview With Harriet Producer Debra Martin Chase

Harriet’s appeal is multifaceted, appealing to three demographics underserved by mainstream Hollywood fare: women, people of color and people of faith. Producer Debra Martin Chase knows something about these three demographics.

Harriet REVIEW

Harriet (2019)

The strongest scene in Kasi Lemmons’ Harriet might be a moment when its indomitable protagonist appears at her weakest.