The real Bundy could be charming, but an honest film about Bundy and Kloepfer’s relationship could just as easily be called Super Weird, Emotionally Abusive and Threatening.
A reader of my review of Mary Magdalene offers an impassioned defense for the medieval Western view of St. Mary Magdalene as a penitent with a notoriously wanton sexual past, a profligate adulteress or harlot.
So Bradley Cooper can direct and sing as well as act, and Lady Gaga can act as well as sing. The music is solid and sometimes excellent, but does Hollywood’s fourth take on this story have anything new to say?
First Reformed made more than half of the nine individual lists below, and unsurprisingly topped the year’s best films according to the Arts & Faith Ecumenical Jury … What’s more surprising — anyway I’m a little surprised, and delighted — is that another film was even more esteemed in this little community … and it wasn’t any of the films I would have expected.
“No matter what they say,” the mother tells the maid, “we women are always alone.” More than any other 2018 film about unreliable men, Alfonso Cuarón’s Roma is a tribute to women holding their worlds together.
Chris Miller and Phil Lord, Chris Miller and Phil Lord / Do whatever Chris Miller and Phil Lord do.
Can they swing from a thread? / No they can’t, they’re Hollywood filmmakers.
And so does Dick Van Dyke — but if you want the return of Julie Andrews, the movie to see is Aquaman.
Ralph doesn’t just break the Internet — he breaks the mold for Disney/Pixar sequels.
The lead actor in this film told me he feels much closer to God in the South Dakota Badlands than in New York or Paris. There were more theologically explicit films this year, but none that brought God closer to me.
There’s a lot to appreciate about this film from director Steve McQueen and Viola Davis, except the moral universe the film asks us to inhabit for a couple of hours.
I swear I am not making any of this up. What else can I say?
If a parent having The Talk with their kids to you means the birds and the bees, you ought to watch this movie.
The Hunger Games’ Rue is now Ruby: Amandla Stenberg takes the spotlight in another YA dystopia that runs its race, but doesn’t diverge enough from its peers to leave anyone hungry for whatever comes next.
The superhero movie to end all superhero movies? Or every superhero movie at once?
Clearly I am not a vampire. As you can see here, I’ve changed quite a bit in the last six years … not necessarily in my opinion of this franchise.
I dared to hope this one would be more than merely good. I was afraid it would be less than good.
No infinity. No war. (Almost.) Why can’t more Marvel movies be like this?
A messy, thought-provoking film about motherhood from the makers of Juno and Young Adult? Go figure.
The year’s second-best inspirational documentary about an iconic leader with an ability to connect with people as individuals is still pretty good.
It’s funny to think of people scratching their heads when this “quiet” film is justly nominated for sound editing and sound mixing Oscars.
Copyright © 2000– Steven D. Greydanus. All rights reserved.