Mary of Nazareth, now touring North America in isolated screenings hosted by Ignatius Press, is the latest in a number of Gospel films over the last couple of decades focusing in a special way on the role of the Blessed Virgin in the Gospel story.
I can’t believe I never realized it until now, but I can’t think of another fact-based motion picture about the slave experience in America — that is, a movie about slavery in the United States told from the point of view of actual, historical slaves, many of whose stories were published by abotionists prior to the Civil War and by civil rights activists after it.
So many songs about rainbows and what’s on the other side? What was Kermit talking about? There’s only one song like that … and one movie that embodies the childhood magic Jim Henson wanted to evoke.
Co-written by Ghibli co-founder Hayao Miyzaki and directed by his son Goro Miyazaki (Tales From Earthsea), From Up on Poppy Hill is a gently naturalistic departure from the high-flying fantasy for which the studio is best known.
I enjoyed reviewing movies this summer far more than I enjoyed the movies themselves — and perhaps my readers enjoyed the reviews more than the movies as well.
Have Hollywood movies been softening us up for NSA-style surveillance?
This little essay is barely a footnote to Ebert’s book. Still, in the dozen or so years that I’ve been writing movie reviews, I’d like to think I’ve come up with a few witty, possibly even useful terms — Everything Movie, Medieval Grunge and Mythology-Bound among them — that might contribute to movie discussion.
Picking the top 10 movie dads was both easier and harder than picking the top 10 movie moms. Easier, because there were more candidates to choose from — and harder for the same reason!
When I set out to make a list of great movie moms in honor of Mother’s Day, I knew it wouldn’t be easy — but I soon found it even harder than I thought. Let’s face it: Great mothers are in short supply in the movies.
Just over a month before his death on Easter Thursday, Roger Ebert wrote a blog post titled “How I Am a Roman Catholic” — a follow-up of sorts to a 2009 post called “How I Believe in God.”
It’s spring break, or summer vacation, and the grandkids are visiting. Or you’re looking for a DVD for a birthday present. You want three things: a) something worthwhile (not junk); b) something they’ll enjoy (not just high-minded or educational fare); and, crucially, c) something they haven’t already seen to death.
Have today’s movies lost religion? Not necessarily — but sometimes it helps to know where to look. For instance, mainstream films are more likely to include sympathetic depictions of religious faith in period pieces than in stories set in the present day.
A masterpiece on the importance of fatherhood, from filmmakers honored by the Vatican, is among the year’s best films.
Perhaps the most beloved of Christmas movies, Frank Capra’s sleeper classic It’s a Wonderful Life has inevitably become a target of seasonal, iconoclastic culture-warmongering.
One of the more striking marks of Pixar’s innovative stature and impact on the world of Hollywood animation has been their pioneering revival of the long-neglected animated short film prior to the feature (at least prior to animated features) as an industry staple.
If you see only one James Cameron-directed movie about the Titanic — and you should — see the one that doesn’t star Kate and Leo.
I do take issue, though, with Hollywood’s current obsession with “dark,” “gritty,” “edgy” fare threatening to crush any sense of wonder and fantasy. What a joy, then, that Tarsem Singh’s Mirror Mirror offers a gorgeous, fantastic fairy-tale world bursting with extravagant imagination and splendor.
In support of the Fortnight for Freedom, the National Catholic Register and Decent Films are pleased to present a selection of 14 films, chosen by me, all in some way engaging themes of religious liberty, moral conscience and commitment faith in the face of pressure and persecution have been reflected in cinema.
It’s still one of the better-kept secrets of family entertainment that the most imaginatively daring and influential animation house in the world isn’t Pixar, but Japan’s Studio Ghibli, best known for co-founder and animation virtuoso Hayao Miyazaki. Miyazaki is revered in animation circles, but Ghibli films haven’t yet become the phenomenon in the States that they are in Japan and around the globe.
Disneynature’s Chimpanzee, the latest family-friendly nature documentary from Earth directors Alastair Fothergill and Mark Linfield, depicts a surprising twist in the early life of a young chimpanzee nicknamed “Oscar” living in the Taï Forest in the Ivory Coast. Dr. Jane Goodall, the world’s foremost expert in chimpanzees, has seen the film, and discussed it with me via phone a couple of days ago.
Copyright © 2000– Steven D. Greydanus. All rights reserved.