Don’t settle for a mysterious island when there’s a whole secret world to be discovered.
Read more >
Props to reader Victor for highlighting this
infographic from a few years back analyzing the differences between the creative processes at Pixar and DreamWorks.
Read more >
Borrowing a page from the UK’s
Campaign for Real Ale, Roger Ebert blogs from Cannes on the need for a
Campaign For Real Movies.
Read more >
Beauty, loss, longing, mystery: Fans of Tolkien might reach for such language in describing the power of Middle-earth. They are not words that many Americans naturally associate with animation. American animation typically means humor, slapstick, sentiment, and perhaps a positive message about family or believing in yourself.
Read more >
Peter Chattaway has just
posted some thoughts he’s previously shared elsewhere regarding the shape of Pixar’s body of work to date, and I’ve long thought it’s a brilliant theory.
Read more >
