The story is said to be set in 19th-century China, but its roots are older, reaching for a mythic age of larger-than-life heroes and superhuman derring-do. Heroes with paranormal abilities were also a theme of the recent Unbreakable; but Crouching Tiger, Hidden Dragon has what was lacking in Unbreakable: a sense of wonder, of exhilaration, of mystery and beauty and hope.
What is it about this film that’s pulling in ordinarily subtitle-phobic U.S. audiences and eliciting cheers and applause from jaded American critics and festival audiences, yet leaves the kung-fu fans of the East cold? Is this a good martial-arts movie, or not?
The pitfalls of human nature being what they are, to dwell excessively on negative thoughts and preoccupations — to give free rein to outrage, anger, fear, antipathy, and, all too easily, hatred — is a constant temptation. (It’s a special hazard during election seasons, but the problem is perennial.) That which is dishonorable, unjust, impure, and worthy of condemnation drowns out what is honorable, just, pure, and worthy of praise.
The mixed martial arts drama Warrior, now in theaters, is one of no fewer than four theatrical releases to be released this month featuring Christian themes and being marketed specifically to Christians … notably, three of the four—Warrior, Machine Gun Preacher and Courageous—are overtly concerned with masculinity and what it means to be a man.
Dinklage swaggers and glowers magnificently and sings decently, but he’s at his best in quiet, intimate moments, especially with Roxanne and with his confidante Le Bret, the only one who sees his pain.
Despite numerous cinematic adaptations — including Steve Martin’s cute romantic-comedy update Roxanne — the definitive Cyrano is probably Jean-Paul Rappeneau’s boisterous, full-blooded film, with France’s greatest actor, Gérard Depardieu, making the part forever his own.
Copyright © 2000– Steven D. Greydanus. All rights reserved.