Stick a fork in them, they’re done. Or maybe that’s just me.
I blame the penguins for Madagascar 3: Europe’s Most Wanted.
Little ones are “tougher than we think,” a penguin remarks in Happy Feet Two, and you can tell director George Miller believes it. The animated sequel pulls few punches: It’s overshadowed by more darkness, menace, heartache and anxiety than any talking-animal picture I can think of since, well, Miller’s last family-film sequel, the execrable Babe: Pig in the City. Neither the classic Babe nor the original Happy Feet contained any hint of the darkness of the sequels. Apparently Miller’s strategy is to soften kids up first, then drop the bomb.
Madagascar 2 not only recalls Happy Feet’s satire of religion, it also makes the latter’s coy coming-out subtext look tame compared to its own overt running theme of sexual diversity.
No, it wouldn’t be entirely accurate to call the CGI cartoon Happy Feet an effort to claim penguins for the other side of the culture wars. But it wouldn’t be wholly wrong either.
Copyright © 2000– Steven D. Greydanus. All rights reserved.