I’ve been surprised at the popularity of efforts to interpret major story elements in Frozen as a Christian parable. I’m not talking about merely commenting on the climactic act of self-sacrifice as reflecting Christlike love, etc. That, I don’t object to. I mean interpreting the film’s structure and themes as, in effect, an allegory of the Gospel — one rivaling or even surpassing C. S. Lewis’s The Lion, the Witch and the Wardrobe.
So basically everyone loves Frozen except me. I’m fine with that. I’m not a fan, but I don’t dislike it; parts of it I like very much, though other elements I found disappointing and off-putting.
Frozen may be the most tragic fairy tale in the Disney canon, which is saying something.
Compared to Disney’s last (and only other) computer-animated fairy tale, Tangled, Frozen has twice the princesses, twice the hunky love interests, twice the domesticated anthropomorphic ungulates … but not a fraction of the humanity.
Copyright © 2000– Steven D. Greydanus. All rights reserved.