After fifteen years of trying, Jackie Chan finally broke into the U.S. market with Rumble in the Bronx and Jackie Chan’s First Strike; but it wasn’t until Rush Hour that he really connected with mainstream American audiences.
Rush Hour 2 follows so closely in the footsteps of its hugely successful predecessor that an actual review is practically unnecessary.
Rush Hour 3 is a half-hour of brilliance, preceded by an hour of dreck. That’s a roughly comparable dreck-to-brilliance ratio to the first two Rush Hour movies, I guess, and par for the course for Jackie Chan’s Hollywood films (and a fair number of his Asian ones). It’s just that the earlier Rush Hour movies are hit-and-miss throughout, whereas Rush Hour 3 is basically non-stop missing for an hour, saving all its hits for the end.
Copyright © 2000– Steven D. Greydanus. All rights reserved.