Recently I had the opportunity to field 18 questions from Sean Salai, SJ for a profile piece in the Jesuit magazine America. I had a lot of fun answering Mr. Salai’s thoughtful, sometimes surprising questions, ranging from how my faith informs my film writing to what I gave up for Lent.
Ferocious car chases, rooftop pursuits, brutal combat sequences, elegantly choreographed stunts, a parade of exotic locations… Quantum does all this, with credible panache. Just don’t expect to care like you did in Casino.
Mirroring its populist tale pitting a devout young undergraduate against Kevin Sorbo’s hostile philosophy professor, the faith-based hit indie God’s Not Dead sharply divided enthusiastic faith audiences and scoffing critics.
There are so many reasons Queen of Katwe shouldn’t even exist, and just thinking about them all makes me even more vexed at Hollywood for its desperate obsession with exhausted franchise fare when there are winning and wonderful stories like this to be told.
Quest For the True Cross is the somewhat misleading name of a recent bestselling book coauthored by scholar Carsten Peter Thiede and of this companion documentary produced by Mel Gibson’s Icon Films for the Discovery Channel.
Quick note on my refurbished review of Robert Duvall’s The Apostle…
A few quick notes: After a week back in the States, I’m just about back in the swing of things. (Hope you’ve been enjoying my pilgrimage blogging!)
If Greene is no longer interested in subjecting his protagonist’s guilt to judgment, he’s not interested in rationalizing it either. It’s simply a fact in a morally and emotionally complex story of two very different but flawed Westerners living in 1950s Vietnam in the last days of French colonialism and the dawn of Vietnamese Communism.
While A Quiet Place is a terrific film just the way it is, I can’t help wishing there were more families like this in other kinds of movies.
It’s funny to think of people scratching their heads when this “quiet” film is justly nominated for sound editing and sound mixing Oscars.
Copyright © 2000– Steven D. Greydanus. All rights reserved.