If you are in love with the 1970s and Johnny Depp, perhaps you will enjoy this. Andrew O’Hehir says he knew he would love the film when he spotted a banana-seat Schwinn bicycle leaning against the front porch of Collinwood in an early scene. All right. But then comes a “happening” featuring Alice Cooper as himself (!), with a disco ball and cage dancers. At Collinwood. Is this really anyone’s idea of a good time?
In the end, Bella has something to challenge everyone, pro-life or otherwise. For pro-lifers, the inspiring ending represents a call to love of neighbor. It isn’t enough just to oppose abortion: We are called to love those in need with the love of Christ, potentially at a cost to ourselves. For those who favor abortion, the ending represents a challenge to recognize that life is a beautiful and precious gift even in far from ideal circumstances, and the choice to embrace life, even when it involves great sacrifice, is also beautiful.
For Verástegui — a former boy-band and telenovela heartthrob known to Latino fans as “the Mexican Brad Pitt” — the mission is simple. “Hollywood doesn’t belong to the studios,” he recently told Decent Films. “Hollywood belongs to God. And we need to take it back. And that’s what I’m trying to do, by example first, trying my best every day to be involved in projects that will inspire people to use their talents to do something positive for the world.”
Call me an Albany-living mama’s boy, but when Hildy tells her male colleagues in an early scene that she’s going to be a woman, not a news-getting machine, and have babies and take care of them, and give them cod-liver oil and watch their teeth grow, and not have to worry any more about crawling up fire escapes, getting kicked out of front doors, or eating Christmas dinners in one-armed joints — well, I for one think that sounds kind of nice.
One should be rooting for Cary Grant to get the girl, which means he ought to deserve her — and if that’s more or less the case here, well, it’s only because the girl turns out to be no great shakes either.
Copyright © 2000– Steven D. Greydanus. All rights reserved.