Directed by Ang Lee. Eric Bana, Jennifer Connelly, Sam Elliott, Nick Nolte, Josh Lucas. Columbia.
Decent Films Ratings
|?Teens & Up*|
Content advisory: Stylized, sometimes intense comic-book violence; implied domestic violence; limited profanity and crass language; fleeting rear nudity.
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A National Catholic Register "Video/DVD Picks" capsule review
By Steven D. Greydanus
Not the best or most exciting of comic-book movies to date, but the most thoughtful and arguably one of the most interesting, Ang Lee’s Hulk offers a new look at Marvel Comics’s green-skinned Jekyll-and-Hyde pulp anti-hero through the director’s poetic, psychologically attuned sensibilities.
The result is an unusually restrained character drama that eventually segues into comic-book action, much like Bruce Banner (Eric Bana) himself morphing into the Hulk. It’s also a cautionary tale about the dangers of seeking to usurp the Creator’s prerogatives — something the villain expressly professes as his intention (note the name of the sinister corporation, "Atheon").
In reimagining the Hulk’s origins as involving not just a single gamma-ray related accident in Banner’s scientific career, but a legacy of fateful events extending to Banner’s childhood and even his paternity, Ang Lee recasts the story from a simple character allegory to an intergenerational tale of overreaching fathers and wounded children.
Lee’s deliberate pacing, psychological drama, and somewhat head-scratching climax may bewilder comic-book fans expecting a mere action-fest, but it’s something more ambitious. The sometimes cartoony CGI Hulk is no Gollum, but he’s effective enough, and his soaring leaps are among the film’s best images. Another visual highlight: virtuoso split-screen work that evokes comic-book panel layouts.