An important story you probably don’t know about, starring Taraji P. Henson, Octavia Spencer and Janelle Monáe as NASA “computers” (really!) during the 1960s space race, when NASA’s Langley Research Center was still segregated.
Martin Scorsese’s Silence is simply one of the year’s most difficult and necessary films.
Chris Pratt and Jennifer Lawrence in space. How bad could it be?
So much better and more satisfying than the courtroom drama it could have been.
I try never to spoil anything, but honestly, just skip this video and go see it. I mean, then come back and watch the video, of course.
It’s the Star Wars prequels for Harry Potter. Actually, it made me wish I was watching Doctor Strange again.
Thomas P. Harmon, professor of theology and culture at John Paul the Great Catholic University, has written a thoughtful essay for Catholic World Report responding to my critique of the moral murkiness of Rogue One: A Star Wars Story.
Even features come with trade-offs, and the Marvelization of Star Wars is no exception. This might not be as clear in The Force Awakens — about as pure a work of nostalgia and homage as can possibly be contrived short of a shot-for-shot remake — as it is in Rogue One, where the Marvel-style engineering is more obvious.
If you had to cast two Hollywood actors to watch being all by themselves in a luxury starliner on a doomed 90-year voyage to a planet they will never live to see, you might just pick Chris Pratt and Jennifer Lawrence. In a way, that’s the problem with Passengers, or where the problems begin.
When 17th-century Japanese authorities in the time of the Tokugawa shogunate found it necessary to send the colonial powers of Europe packing and their European Jesus with them, they didn’t just shatter the missionaries’ bodies. They shattered their narrative.
Copyright © 2000– Steven D. Greydanus. All rights reserved.