Wan goes bigger and splashier here than in the first Conjuring. Metaphorically splashier, I mean; it’s not very bloody, but it’s bloody scary, thanks to Wan’s skills and some shrewd choices by Chad and Carey Hayes, the screenwriting brothers (both Christians) who wrote both films.
For 15 astonishing years, from 1995 to 2009, Pixar created a body of work — 10 films — so revolutionary and beyond mainstream Hollywood animation that it’s hard to quantify … In recent years, alas, Pixar has stumbled more often than not.
García takes his time in the early scenes, allowing us to ease into the rhythms of this eremitic phase in its protagonist’s life. A spiritual journey can’t be rushed; the mind and body must submit to long hardship for the spirit to attain its goal.
Local to the Washington metropolitan area? This Friday, May 13th, I’ll be at the FORUM Arlington talking about cinema and Catholic faith — at least, if the title of my talk, “A Ray of God: Movies and Catholic Teaching” is any indication.
Civil War also demonstrates that the right way to do a “versus” movie pitting heroes against one another is by building relationships — and tensions — over time, then allowing characters to fall out over meaningful practical and personal issues.
Whether one sees The Revenant as a spiritually rich, profound meditation on good and evil or an overwrought attempt to transmogrify atrocity into transcendence, Christians should recognize that when it comes to media depictions of violence, there are two potential dangers, not just one.
The modern era of superhero movies was arguably inaugurated by two films: Bryan Singer’s 2000 X-Men and Jon Favreau’s 2008 Iron Man.
He’s been called “the WASP Woody Allen,” but I prefer my friend Ron Reed’s moniker for Whit Stillman: “the Jane Austen of indie film.”
A reader writes: “‘The elephants created the jungle’ is not ‘semi-religious’ as you say. It is, in fact, blasphemous. You say such ideas are not ‘often found in a Hollywood family film.’ I disagree. Blasphemy is typical in most Hollywood films.”
Like Kenneth Branagh’s Cinderella last year, The Jungle Book offers a lavish new reimagining of a beloved story, blending elements from the original literary source material with the classic animated Disney version.
Copyright © 2000– Steven D. Greydanus. All rights reserved.