Metropolis is an operatic, dystopian science-fiction parable with roots in various sources including biblical and medieval Christian imagery, while Modern Times is a satiric comedy at times recalling Dickens and anticipating “Dilbert.” Yet the two films converge around political, economic, social, and technological themes.
While concerns around “Jesus of Nazareth” were short-lived, The Passion of the Christ remains controversial, beloved by many and condemned by many others.
The director of my favorite movie this spring about Jesus and a Roman soldier talks about working with Sean Bean, Jesus’ human consciousness, and bringing the biblical world to life.
This year my circle of Christian cinephiles converged on the year’s best films more closely than usual.
Intriguingly, although I Confess was made first and The Wrong Man closely follows its true story, there are a number of notable convergences between the two films.
Risen might be the only Jesus film in which we first encounter Jesus on the cross, already dead or nearly so.
Filmmaker Michael Whyte actually lived across the square from the monastery for years without realizing it was still occupied. One day he heard the monastery bell calling the sisters to prayer.
New Orleans’ legendary Mardi Gras celebration has been depicted or used as a backdrop in scores of films, though surprisingly few depictions are of any great or enduring note.
Six years ago I put together a list of movie recommendations for Lenten viewing, six titles for the six weeks of Lent. This year, for the Year of Mercy, here’s a new list: one that puts particular emphasis on mercy, charity, and active concern for one’s neighbor.
23 years ago I had the privilege of catching Walt Disney’s Snow White and the Seven Dwarfs in theatrical re-release. At the time I was acutely aware what a privilege it was, because about five years earlier, in a history of animation class at the School of Visual Arts, I had written a research paper about that very film, and in those days there was no easy way for me to actually watch the film I was writing about!
Copyright © 2000– Steven D. Greydanus. All rights reserved.