The first act of The Secret Life of Pets leans on a style of humor that we might call “anthropomorphic observational comedy.”
The Innocents opens in a Benedictine convent in Poland in 1945, shortly after the event known, not without bitter irony, as the liberation of Poland by the Soviet army.
Hank the octopus is a particular standout. Hank’s squash-and-stretch movements push computer animation to yet another high-water mark, and his mad skills are highly entertaining — so entertaining, in fact, that I kind of wish the movie had been about him.
In the face of the latest crushing evidence of man’s inhumanity to man, the Top 25 Films on Mercy remind us that the way it too often is isn’t the whole story, or the way it has to be.
I doubt Gibson is the right filmmaker for the job. First, though, let’s talk about how right Gibson was for The Passion of the Christ.
Wan goes bigger and splashier here than in the first Conjuring. Metaphorically splashier, I mean; it’s not very bloody, but it’s bloody scary, thanks to Wan’s skills and some shrewd choices by Chad and Carey Hayes, the screenwriting brothers (both Christians) who wrote both films.
For 15 astonishing years, from 1995 to 2009, Pixar created a body of work — 10 films — so revolutionary and beyond mainstream Hollywood animation that it’s hard to quantify … In recent years, alas, Pixar has stumbled more often than not.
García takes his time in the early scenes, allowing us to ease into the rhythms of this eremitic phase in its protagonist’s life. A spiritual journey can’t be rushed; the mind and body must submit to long hardship for the spirit to attain its goal.
Local to the Washington metropolitan area? This Friday, May 13th, I’ll be at the FORUM Arlington talking about cinema and Catholic faith — at least, if the title of my talk, “A Ray of God: Movies and Catholic Teaching” is any indication.
Civil War also demonstrates that the right way to do a “versus” movie pitting heroes against one another is by building relationships — and tensions — over time, then allowing characters to fall out over meaningful practical and personal issues.
Copyright © 2000– Steven D. Greydanus. All rights reserved.