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Moonrise Kingdom [video]
Moonrise Kingdom in 60 seconds: my “Reel Faith” review.
More on Lenten Viewing
My Lenten viewing suggestions prompted a reader to ask: “Would you consider supplementing an English-only list? I love the idea of a Lenten movie night, but I have several children under reading age, and my husband just dislikes reading his movies. LOL. I will have to carve out time on my own during the week to watch the intriguing foreign films you have included.”
The Mormons [The American Experience/Frontline] (2007)
Directed by Helen Whitney (“John Paul II – The Millennial Pope”), “The Mormons” is at once as scrupulously respectful and sympathetic as any religious adherent might hope for in such a treatment, while also dealing directly and fairly with thorny subjects from Joseph Smith’s evolving accounts of his religious experiences to the Mountain Meadow Massacre of 120 travelers by Utah Mormons and the subsequent church cover-up.
Moses at the movies
The Exodus is probably the Bible’s most cinema-ready story, the perfect Bible-movie subject. Unlike the stories of Noah, Abraham, David, Jesus, Peter, or Paul, it offers a sustained narrative structure, with a clear central conflict between a strong hero and a strong villain, building to a series of grand climaxes.
Moses, Spielberg & DeMille: Why Spielberg should do the next Moses movie
There’s something instantly appealing about the thought of Spielberg directing Hollywood’s first major live-action take on Moses’ story since Cecil B. DeMille’s 1956 crowning achievement, The Ten Commandments.
Mother knows best: Turning Red, Encanto, and Disney/Pixar’s new overbearing moms
The familiar animation trope of the domineering dad and the (sometimes) supportive mom gets an update in recent films from the Mouse House.
Mother Teresa (2003)
Almost thirty years ago Olivia Hussey played the most venerated woman of all time, the Virgin Mary, in Zeffirelli’s “Jesus of Nazareth.” Now she portrays the most revered woman of the twentieth century in the reverential, Italian-made English-language production Mother Teresa.
Moulin Rouge! (2001)
Damning with faint praise? More like praising with faint damns. Moulin Rouge! is a failure: a towering monument of wasted potential, of lost opportunity, of good ideas gone bad and bad ideas gone amok. It’s got the same attention-grabbing take-no-prisoners style (though on a far larger scale) as Luhrmann’s first film, the sublime Strictly Ballroom; but that film had something Moulin Rouge! can’t be bothered with: characters who emerged from their situations as real and likeable people. Moulin Rouge! even recycles plot elements from the earlier film: A naive but talented young outsider falls for a driven, unattainable professional whose Svengali-like handlers oppose the relationship for self-interested reasons. There’s even a climactic scene that mirrors the grand finale of Ballroom in such specific detail that Luhrmann could sue himself for plagiarism; but what he can’t replicate is the first film’s heart appeal.
Moviegoers to Hollywood: YAWN
The long Memorial Day weekend traditionally marks the beginning of the American summer movie season, so for Hollywood studios this past weekend’s the dismal ticket sales are clear cause for concern. Dollarwise, it was the worst Memorial Day weekend at the box office in nine years; in terms of actual bodies in seats, it was the worst in fifteen years.
Movies and mercy: The Arts & Faith Top 25 Films on Mercy
In the face of the latest crushing evidence of man’s inhumanity to man, the Top 25 Films on Mercy remind us that the way it too often is isn’t the whole story, or the way it has to be.
Mr. Bean’s Holiday (2007)
Longtime Bean aficionados may find some of the gags familiar from the TV show and the earlier film. Others may feel (what seems plausible to me) that Atkinson has refined his act and given us “Bean’s Greatest Hits” in their ideal form, culminating in a delightful climax approaching feckless transcendence.
Mr. Blandings Builds His Dream House (1951)
Unlike the similarly titled Capra comedies Mr. Smith Goes to Washington and Mr. Deeds Goes to Town — which centered on simple, honest rural folk colliding with urban disingenuity — Mr. Blandings Builds His Dream House is about the foibles and woes of an urban family whose disjointed lifestyle leads them to fumblingly seek a better life in the countryside.
Mr. Popper’s Penguins (2011)
While the Atwaters’ book is not exactly a classic, it’s beloved by generations of readers — but not by the people who have brought you this big-screen adaptation starring Jim Carrey. The makers of this film do not love Mr. Popper’s Penguins. At all. It’s hard to believe that this junk was directed by Mark Waters, who presided over the big-screen adaptation of The Spiderwick Chronicles, a smart, scary adaptation of a children’s book series that honors its source material almost as much as Mr. Popper’s Penguins doesn’t.
Mrs. Miniver (1942)
Jan Struther, who created Mrs. Miniver for a series of newspaper columns later published in book form, was also the author of a number of Anglican hymns, including “Lord of All Hopefulness” (a staple in our family’s evening devotions). That biographical detail puts an interesting light on the religious elements in William Wyler’s Oscar-winning adaptation, Mrs. Miniver.
Much Ado About Nothing [video] (2012)
Shakespeare knows how to throw a party … and so does Joss Whedon.
![Mudbound [video]](/uploads/articles/mudbound.jpeg)
Mudbound [video] (2017)
The more firmly rooted in a sense of time and place a film is, the more revelatory it often is of the present.
Mulan (2020)
At this point it seems pretty clear that the kiss of death, creatively speaking, for Disney’s new line of live-action/CGI remakes is a Broadway musical.
Mumford (1999)
It’s not hard to play connect-the-dots and pair off likable characters with one another. It’s harder to put them in a story that’s worthwhile. This is a film without conviction, about a town full of people with problems without depth, aided by a guru without soul. Mumford is a fraud. Take that in whatever sense you like.
The Mummy (2017)
I have never seen a movie work harder or more hopelessly than Universal’s new The Mummy, not merely to launch a new franchise, but to jump from a standing start into a full-blown Marvel-style shared cinematic universe in one go.
The Muppets (2011)
This is quite deliberately not a reboot or reimagining or any such thing. Perhaps we can call it a revisiting. Like this summer’s charming Winnie the Pooh (also from Disney), The Muppets is a happy throwback, very much of a piece with material that my generation grew up with, eclipsing the lameness of recent direct-to-video efforts. Who would have thought two classic family franchises that have lain fallow for so long would be reborn in the same year?
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