Search Results
116 records found
On the Waterfront (1954)
“A Going My Way with substance” is how Elia Kazan’s classic, controversial On the Waterfront was recently described in a lecture at Boston College.
The Burmese Harp (1956)
Kon Ichikawa’s deeply humane, spiritually resonant masterpiece The Burmese Harp is routinely but reductionistically described as “pacifist” or “anti-war,” though in fact war is merely the occasion for the story’s theme, not the theme itself. That theme is nothing less than the intractable mystery of suffering and evil, an affirmation of spiritual values, and the challenge to live humanely in evil circumstances.
Becket (1964)
Peter O’Toole roars magnificently both in laughter and in rage; his Henry is a simple, direct, utterly unprincipled man who sees the world in two great categories: (a) things he wants, and (b) obstacles to getting them.
The Fugitive (1947)
Not to be confused with any version of the story of Dr. Kimble and the one-armed man, this Fugitive is director John Ford’s underrated adaptation of Catholic novelist Graham Greene’s masterpiece The Power and the Glory.
The Jeweller’s Shop (1990)
The story is propelled by ordinary (though sometimes philosophically elevated) dialogue, and a mysterious character in the play, Adam, becomes a simple priest — a rather Wojtyla-like priest, actually, who takes the young people of his parish on nature hikes in the mountains.
Lilies of the Field (1963)
Sidney Poitier won a Best Actor Oscar for his portrayal of Homer Smith, a cheerful, itinerant Baptist handyman who one day pulls off the road and approaches a house with no more thought than to get water for his car radiator.
Secret Lives: Hidden Children and Their Rescuers During WWII (2002)
Secret Lives: Hidden Children and Their Rescuers During WWII, directed by Oscar-winning documentarian Aviva Slesin, who is herself a childhood Holocaust survivor hidden from the Nazis by a Lithuanian Christian family, is an uplifting, shattering, heartfelt tribute to the Gentile families across Europe from Poland to the Netherlands who risked their own lives to take in and hide Jewish children in their homes. Based entirely on interviews with the Jewish survivors and with their rescuers and parents, Secret Lives explores the devastating impact of the Holocaust even on those who survived it, as well as the nobility and heroism displayed by many during one of the darkest chapters of human history.
The Chronicles of Narnia (1988‑1990)
Beautiful, rugged UK landscapes, splendid old castles and other shooting locations, and some fairly impressive sets help create a sense of authenticity. At the same time, with the earlier episodes especially limited by modest production values, rudimentary special effects, and uneven acting, the Chronicles can’t be held even to the standard of such American TV productions as the Merlin and Arabian Nights miniseries.
Fiddler on the Roof (1971)
L’Chaim! Life itself, joyous and tragic, is the subject of the boisterous, comic, heartbreaking vision of Fiddler on the Roof.
Thérèse [The Story of Saint Thérèse of Lisieux] (2004)
“Ordinary girl. Extraordinary soul” is the tagline of Thérèse, Catholic actor-director Leonardo Defilippis’s reverent, uplifting, straightforward biopic of the Little Flower. Of the tagline’s two clauses, the film’s special burden seems to be the first part, “ordinary girl.”
Ben-Hur [A Tale of the Christ] (2003)
In 2003, Charlton Heston reprised his greatest role, if in voice only, in an animated made-for-TV version of Ben-Hur from the director and producers of the animated “Greatest Heroes and Legends of the Bible” series.
Ben-Hur [A Tale of the Christ] (1925)
At nearly 2½ hours long, the 1925 version is still an hour shorter than the 1959 version, yet the story is essentially the same, and the scale similarly impressive.
The Miracle Worker (1962)
Beautiful black-and-white cinematography, startling performances, and harrowing physicality make The Miracle Worker an extraordinary experience.
Pope John Paul II (2005)
Not to be confused with the identically named 1984 Herbert Wise film starring Albert Finney, Pope John Paul II is the first — so far the only — dramatic presentation to do anything like justice to the life and reign of the 20th century’s most popular pope.
Witness to Hope: The Life of Karol Wojtyla, Pope John Paul II (2002)
In the crowd of TV documentaries on the life of Pope John Paul II, there is Witness to Hope, and there is everything else.
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
One of the most magical effects in Andrew Adamson’s The Lion, the Witch and the Wardrobe isn’t rippling computer-generated fur, ice castles, or battle scenes. It’s the wide-eyed wonder and delight on the face of young Lucy Pevensie (Georgie Henley) as she passes beyond the wardrobe for the first time into the winter wonderland of the Narnian wood.
Tsotsi (2005)
Tsotsi seems almost entirely severed from human values, and his seemingly total moral apathy rattles the conscience-stricken Boston. “Decency, Tsosti,” Boston harangues. “Do you know the word?”
The Miracle of Our Lady of Fatima (1952)
Old-fashioned, reverent, basically faithful to the facts, The Miracle of Our Lady of Fatima never quite emerges from the shadow of the earlier, superior The Song of Bernadette, but it ups the ante with sterner opposition (militant Marxists rather than freethinking civil authorities) and a more dramatic climax.
The Passion of Bernadette (1989)
Given the inherently less dramatic structure, The Passion of Bernadette doesn’t “tell a story” the way the original film does, but the portrait of Bernadette’s unassuming heroic sanctity and occasional tart rejoinders remains moving and worthwhile.
United 93 (2006)
Whatever monument is eventually built at Ground Zero or anywhere else, United 93 is as fitting and worthy a memorial to the victims and heroes of September 11 as one could hope for.
Recent
Home Video
Copyright © 2000– Steven D. Greydanus. All rights reserved.