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In search of true confession in the movies
Of the seven sacraments at the heart of the Church’s life, from the very beginning perhaps the most intriguing to filmmakers has been, ironically, the least visually impressive — a hidden rite involving only the minister and the recipient.
In the Shadow of the Moon (2007)
Man’s own shadow, as much as the moon’s, lies across In the Shadow of the Moon, David Sington’s moving documentary of the U.S. Apollo program. An eloquent testament to the grandeur of creation as well as man’s unique place in it, In the Shadow of the Moon offers a remarkable look at the history and technology of the Apollo program, but an even more extraordinary glimpse of the men who lived it and made it happen.
In Time (2011)
Niccol imagines a dystopian near future in which Benjamin Franklin’s adage that “Time is money” is taken to a literal extreme. Human beings are genetically engineered to stop aging at 25, but they also come equipped with a literal biological clock, complete with digital readout on their forearms, that activates at 25 and begins counting down to zero.
Inception (2010)
Inception is the most audacious and multifaceted Hollywood entertainment for grown-ups I’ve seen in years: a brainy, bravura achievement inviting comparison to the most inspired work of Hollywood visionaries from Michael Mann and Charlie Kaufman to Ridley Scott and the Wachowskis.
Inception [video]
Back from a week in Spain! More to come this week on Of Gods and Men, once I catch my breath—and catch up on a few other things—but for now here’s my 30-second look at Inception. Enjoy!
The Incredible Burt Wonderstone [video]
The Incredible Burt Wonderstone in 60 seconds: my “Reel Faith” review.
The Incredible Hulk (2008)
Although most viewers will probably find The Incredible Hulk diverting but — after a strong first act — forgettable entertainment, for Hulk fans smarting from the limitations of the Ang film, it may just be balm for the soul.
The Incredibles (2004)
The Incredibles is exhilarating entertainment with unexpected depths. It’s a bold, bright, funny and furious superhero cartoon that dares to take sly jabs at the culture of entitlement, from the shallow doctrine of self-esteem that affirms everybody, encouraging mediocrity and penalizing excellence, to the litigation culture that demands recompense for everyone if anything ever happens, to the detriment of the genuinely needy.
Incredibles 2 (2018)
As The Incredibles in its day towered over the Hollywood animation landscape of the last decade, so in some measure does Incredibles 2 in this decade — but what a different and diminished landscape it is today.
![Incredibles 2 [video]](/uploads/articles/incredibles2-vid.jpg)
Incredibles 2 [video] (2018)
I dared to hope this one would be more than merely good. I was afraid it would be less than good.
The Incredibles: Big fish in a depleted pond
Let’s face it: So far, it’s been a lousy year for family films. Until now, the fine Two Brothers has been just about the only bright spot. Of course DreamWorks’ phonetically similar CGI twins Shrek 2 and Shark Tale each made far more money than Two Brothers, but neither is quite what I consider fine family viewing. And other choices have been forgettable and quickly forgotten: Home on the Range, Clifford’s Really Big Movie, Good Boy!
![Independence Day: Resurgence [video]](/uploads/articles/independenceday2.jpg)
Independence Day: Resurgence [video]
We had 20 years to prepare. I would have liked more time.
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Raiders of the Lost Ark is such a tour de force homage to the serial adventures of yesteryear that viewers who know nothing of those old cliffhangers are swept up in its nostalgia. Kingdom of the Crystal Skull plays to nostalgia for the earlier Indiana Jones films. In that capacity, it delivers more or less what one would expect, disposable popcorn entertainment and a reunion with a few old friends. Enjoy it for what it is, but don’t hope for more.
Indiana Jones movies and Raiders of the Lost Ark: Why the original still stands alone
Eight years earlier, The Exorcist offered a gut-wrenching morality tale about, among other things, the spiritual dangers of messing around with Ouija boards and demons. The climax of Raiders offers a complementary warning about trifling with the no less terrible power of the holy.
Infographic: Pixar vs. DreamWorks
Props to reader Victor for highlighting this infographic from a few years back analyzing the differences between the creative processes at Pixar and DreamWorks.
The Informant! (2009)
Each of us would like to think that, in such situations as the movie poses, we would do the right thing; in moments of crisis, we tell ourselves that that is what we have done. The Informant! confronts us with the inveterate human capacity for self-justification and self-deception, and the extent to which we are all prone to casting ourselves as the hero of our own drama and the victim of our own tragedy.
An inherited nightmare: Watching the Puritan horror of The Witch with Catholic eyes
What is most unsettling about The Witch is not the manifest presence of the Devil and the malevolence of his minions, but the seeming absence of God and the impotence of the family’s faith and prayers.
The Innocents (2016)
The Innocents opens in a Benedictine convent in Poland in 1945, shortly after the event known, not without bitter irony, as the liberation of Poland by the Soviet army.
Inside Man (2006)
Inside Man opens with a challenge from criminal mastermind Dalton Russell (Clive Owen) to the viewer to try to keep up as he lays out the labyrinthine details of his perfect crime. “Pay strict attention to what I say, because I choose my words carefully, and I never repeat myself,” he warns with smug complacency.
Inside Out (2015)
Inside Out is a rare family film for so many reasons: a story with no villain, for one thing, centering on an imperfect but basically happy intact family going through a tough time. It is a wise and wounding depiction of growing up, a story of growth and loss, with real stakes and real consequences.
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