Half a century later, The Sound of Music is probably still the world’s favorite big-screen stage musical adaptation. Joyous, gorgeous, comforting, full of (almost) uniformly spectacular songs, the film’s emotional power is irresistible, even for the many critics, such as Pauline Kael, who hated its shallowness and emotional manipulation.
When I set out to make a list of great movie moms in honor of Mother’s Day, I knew it wouldn’t be easy — but I soon found it even harder than I thought. Let’s face it: Great mothers are in short supply in the movies.
Here is a film that will break your heart, fill it with hope and challenge you to say Yes to God and to your neighbor, all at once.
Brave in 60 seconds: my “Reel Faith” review — plus clips from the film!
Among Hollywood animated films, it may be the most positive affirmation of family since The Incredibles and the best fairy tale since Beauty and the Beast.
The Kid with a Bike in 60 seconds: My “Reel Faith” video review.
Paying tribute to Winter’s Bone in a 30-second rhyming review presented some challenges. I decided to riff on one of the bluegrass songs in the film, although without instruments (and with only 30 seconds to get it out) I had to make some adjustments to the rhythm and melody.
In a backwoods world in the Missouri Ozarks so harsh and unforgiving that it takes one’s breath away, Winter’s Bone finds a heroine who could not exist anywhere else.
Leigh Anne Tuohy (Sandra Bullock) is a red-state, family-values, guns-and-religion Erin Brockovich. Righteous, indomitable, unflappable, glamorous in plunging necklines and thigh-hugging skirts, she’s also a pistol-packing mama, a happily married homemaker and mother of two, a Bible-belt Evangelical and a dyed-in-the-wool gridiron junkie. She isn’t crass like Julia Roberts’ Oscar-winning part, but she’s as blunt and direct as an offensive tackle, and about as apt to be cowed by other people’s crass or intimidating behavior.
The Night of the Hunter pits two that are pure in heart, two of the little children to whom the Lord says belongs the kingdom of heaven, against one who is a false prophet, a ravening wolf in sheep’s clothing.
The Incredibles is exhilarating entertainment with unexpected depths. It’s a bold, bright, funny and furious superhero cartoon that dares to take sly jabs at the culture of entitlement, from the shallow doctrine of self-esteem that affirms everybody, encouraging mediocrity and penalizing excellence, to the litigation culture that demands recompense for everyone if anything ever happens, to the detriment of the genuinely needy.
A ubiquitous tagline and a mind-bending climactic twist made M. Night Shyamalan’s breakout hit The Sixth Sense a monster sensation — yet this deliberately paced, psychologically sensitive paranormal thriller is much more than a one-trick puzzle movie, and holds up well to multiple viewings.
Thus, while Little Women is far from hostile to its male characters, it has a positive feminine character and defines its protagonists not by relationships with men but by moral choices, experiences, and relationships with one another, their mother, and their community. Part comedy of manners, part morality tale, it’s more interested in its heroines "conquering themselves" than in a man conquering their hearts.
One of the pinnacles of non-Disney American animation, Brad Bird’s The Iron Giant is a nostalgic fantasy in the spirit of E.T. about a young boy (Eli Marienthal) growing up in a fatherless house, whose unusual friendship with a being from outer space — here a giant robot (Vin Diesel) with a penchant for eating metal — has to be hidden from his mom (Jennifer Aniston) and the federal government.
Sally Field gives an Oscar-winning performance as Edna Spalding, a wife and mother of two whose life is shattered by a sudden, pointless tragedy. In the aftermath, she is confronted by a bewildering array of hurtles which she never have imagined having to deal with, but must now rise to the challenge. These hurtles include financial dealings with condescending businessmen, a possibly shifty black drifter (Danny Glover), an unwanted and ungrateful boarder who is blind (John Malkovich), and a devastating act of God.
Smith is determined to move on, but soon agrees to a day’s work; and proceeds to find himself faced with one task after another. Exactly how much Mother Maria intends to ask of him — and how much she is able to pay him — are not immediately clear; nor is the extent to which the language barrier is a hindrance to her and the extent to which she is hiding behind it.
The Emperor’s New Groove is really about another new groove — Disney animation’s. By 2000, the old Disney-as-usual wasn’t selling any more, and Disney was ready to begin trying new things.
The judges rating the pig’s performance might as well be grading the entire movie. Babe is a perfect 10.
Copyright © 2000– Steven D. Greydanus. All rights reserved.