The two sequels greatly expand the world and the mythology of the original Dragon. Yet our hero’s personal self-development was pretty much complete at the start of Dragon 2.
Clearly I am not a vampire. As you can see here, I’ve changed quite a bit in the last six years … not necessarily in my opinion of this franchise.
I’m not thrilled about the lack of worthy romantic leading men in recent Hollywood animation, but I prefer the theme in Frozen, about needing to get to know someone before deciding to get married, to this series’ magical, inexorable “Zing” moment.
The Boxtrolls is so defiantly weird and bleak, so committed to the bitter end to its grotesque aesthetic and chilly story, that even as the film crashes and burns you can’t help being moved by the hardworking stop-motion animators’ devotion to their craft.
Even monsters need a vacation. I would like to think they’re more discerning than this.
This week, coinciding with the theatrical release of Shrek Forever After, a pair of DreamWorks Animation productions get budget one-disc DVD rereleases (under $10). Despite the explicit marketing tie-in (“From the studio that brought you Shrek”), both films are traditional hand-drawn cel animation with nothing to connect them to Shrek in look or in spirit.
As a tale of female empowerment and male comeuppance, Monsters vs. Aliens might have been provocative, like, 50 years ago. Today, nothing seems more subversive — and unlikely — than a family film with a heroic leading man who’s the equal of the leading lady — one boys can look up to without having to learn a lesson about male weakness. Now that’s a movie I’d like to see.
No, it wouldn’t be entirely accurate to call the CGI cartoon Happy Feet an effort to claim penguins for the other side of the culture wars. But it wouldn’t be wholly wrong either.
Copyright © 2000– Steven D. Greydanus. All rights reserved.