Tags :: Decent Films: Movies & Morality

What’s so special about Pixar’s flawed protagonists and their moral journeys ARTICLE

What’s so special about Pixar’s flawed protagonists and their moral journeys

Only Pixar regularly impresses on viewers that just because you’re the hero of your story doesn’t mean you’re right about everything: that you may make serious mistakes, there may be consequences, and you must take responsibility.

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Q&A with SDG in America magazine

Recently I had the opportunity to field 18 questions from Sean Salai, SJ for a profile piece in the Jesuit magazine America. I had a lot of fun answering Mr. Salai’s thoughtful, sometimes surprising questions, ranging from how my faith informs my film writing to what I gave up for Lent.

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Are the Borrowers thieves?!

Reader response to the lovely family film The Secret World of Arrietty, I’m delighted to say, has been almost entirely positive. However, I did receive one negative email from a reader who not only didn’t enjoy the film, but considered it downright immoral. Why? Because the Borrowers, tiny people who live in secret in big people’s homes, survive by “borrowing” (i.e., taking) the things they need from the big people.

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Why I’m glad The King’s Speech won…

Last night at the Academy Awards, my favorite film of 2010, True Grit, went 0 for 10, winning none of the impressive lineup of nominations it had garnered including best picture, director, actor, supporting actress and adapted screenplay. (Read full Oscar coverage.)

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Bad Family Films!

Hat tip to reader Rachel for her combox suggestion that I follow up my “best family films” post with a post on “worst family films.”

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The Best Family Films?

The greatest family film of all time? Respondents polled for a Radio Times magazine survey ranked Steven Spielberg’s E.T. The Extra-Terrestrial as the best, with The Wizard of Oz in the runner-up spot.

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Don’t Have a Cow, Man!

A reader raises interesting questions relating to chastity, modesty and raising children in a note about the movie Babies, now in theaters.

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“No Movies Please, We’re Catholic”

I would like to think that the time and energy I’ve devoted over the last ten years to Catholic film criticism—work I’ve always seen as an apostolate to families and individual moviegoers, especially Catholics but also non-Catholics and non-Christians—has contributed in a small way to the kingdom of God. I’m still a little taken aback at how some Catholics seem to feel in effect that the whole endeavor is basically pointless, since movies are such a complete wasteland that there is little or no value in trying to discern good from bad and it would be better simply to wash our hands of the whole business.

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The Trouble With Trailers

Have movie previews gotten to be too much? Parents have been complaining for years about inappropriate coming attractions playing before movies aimed at younger or more innocent viewers—and it’s getting worse.

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Parents’ Concerns and the Media

Last week the US bishops conference released a survey inquiring about parental concerns about inappropriate media content and its effect on children. Called Parents’ Hopes & Concerns About the Impact of Media on their Children, the survey suggests that most parents are concerned about their children being exposed to inappropriate content, and that many are interested in parental control technology such as the V-chip.

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Faith and Film Criticism: The Challenge of the Catholic Critic

No critic can offer a one-size-fits-all approach for all committed Christians. I can’t, and have never tried to, tell anyone what to think or watch, or make definitive pronouncements about good or bad movies. I’m not the Pope; I’m not even the pope of movies. There is no pope of movies. Even the Pope isn’t the pope of movies.

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What Are the Decent Films?

Must a decent film deal only with uplifting or wholesome subjects, or may dark or disturbing themes also be dealt with? Can a film include nudity or profanity and still be “decent”? Can “humane culture” include popular films or genres like action films and romantic comedies, or do only highbrow “art films” count as true culture?