Recently I had the opportunity to field 18 questions from Sean Salai, SJ for a profile piece in the Jesuit magazine America. I had a lot of fun answering Mr. Salai’s thoughtful, sometimes surprising questions, ranging from how my faith informs my film writing to what I gave up for Lent.
I consider the chronological numbering system a travesty, since I maintain that the only right way to discover the Narnian world is the way Lewis “discovered” it.
Calvary is full of depraved, troubled characters, and in trying to minister to them Fr. Lavelle sometimes gets his hands dirty. Does he cross moral lines?
Looking over the eight lists below plus my own top 10, three films stand above the rest — two starring Marion Cotillard.
This is the first completely new Decent Films in ten years. It’s also the first version ever that feels more or less complete to me. Not that there aren’t still bugs and tweaks to be addressed — and not that I wasn’t thrilled about the 2010 (and 2005) iterations when they were new.
I’m not sure we get to know any characters in all of cinema quite the way we get to know Mason Evans, Jr. and his family.
Cinematically, Birdman is sort of an anti-Boyhood, at least with respect to how they each play with time. That’s not necessarily to pit them against one another, although at the end of the day my feeling is that Boyhood tells me about life, whereas Birdman only tells me about Alejandro Iñárritu.
Very few historical films so successfully deconstruct the Great Man view of history while nevertheless offering a credible portrait of a leader who was, in fact, a great man.
I want to say I love the idea for Little Orphan Hushpuppy … but I’m not convinced there’s actually an idea here.
“Will you follow me … one last time?” Well, if you promise it’s the last time.
The director of Gladiator, Kingdom of Heaven and Robin Hood takes on the story of Moses.
Stick a fork in them, they’re done. Or maybe that’s just me.
Stephen Hawking and Jane Wilde’s 30-year-marriage gets the Wikipedia treatment, if Wikipedia were prettier, and sanitized.
It’s a Marvel movie! It’s a Disney cartoon! It’s … a Marney movie! It’s set in San Fransokyo! Wait, what?
What if Pixar’s Up had been directed by Michael Bay instead of Pete Docter? This seems pretty accurate, actually.
Watching Woody Allen’s latest, starring Colin Firth and Emma Stone, is like watching your uncle doing a card trick you’ve seen him do a hundred times.
From the star of 42 and the director of The Help comes a film I enjoyed more than either of those.
While I didn’t care for this movie as much as I hoped I would, I will say I went right from the theater to an Indian restaurant, where I got something I enjoyed more.
Thanks to this film, I’ll be adding “Shrinking World Syndrome” to SDG’s Very, Very Little Movie Glossary.
If you’re not into turtles, and you have half a brain, this may be the movie for you.
Copyright © 2000– Steven D. Greydanus. All rights reserved.