Replacing Karloff-ian malice and spite / Cumberbatch-ian grousing makes this one Grinch-lite. / It’s a kinder and gentler tale than we’ve seen / Of course he’s not nice, but this Grinch is less mean.
There’s something genuinely depressing about seeing one of the most audacious experiments in animation history used not for actual inspiration, but as a kind of scrap heap for spare parts.
Gosnell is subtitled The Trial of America’s Biggest Serial Killer (echoing the similar subtitle of the book by producers Phelim McAleer and Ann McElhinney) — but notorious abortion doctor Kermit Gosnell isn’t the only one on trial here.
First Man is Damien Chazelle’s third film in a row about special individuals whose quest to achieve great things is linked to emotional isolation from others.
It was the experience of reporting in Jerusalem on the 1961 Adolf Eichmann trial for The New Yorker that led the philosopher Hannah Arendt to coin her famous phrase “the banality of evil.”
The Hunger Games’ Rue is now Ruby: Amandla Stenberg takes the spotlight in another YA dystopia that runs its race, but doesn’t diverge enough from its peers to leave anyone hungry for whatever comes next.
The superhero movie to end all superhero movies? Or every superhero movie at once?
Clearly I am not a vampire. As you can see here, I’ve changed quite a bit in the last six years … not necessarily in my opinion of this franchise.
When such movies are done well, you get, say, The Incredibles or John Favreau’s Chef. When they aren’t, you get Jim Carrey in Mr. Popper’s Penguins or Steven Spielberg’s Hook — possibly the closest analogy for Christopher Robin, though Hook, for all its flaws, was clearly a personal film for Spielberg, whereas Christopher Robin feels cobbled together from bits and pieces of other movies without a cogent vision of its own.
Mission: Impossible – Fallout completes possibly the most improbable cinematic hat trick in Hollywood history: An unpromising series that began with three patchy, uneven entries has now produced three terrifically entertaining ones.
Copyright © 2000– Steven D. Greydanus. All rights reserved.